So you scream from behind your door, say what's mine is mine, and not yours I may have too much, but I'll take my chances Cause God's stopped keeping score And you cling to the things they sold you Didn't you cover your eyes when they told you that he can't come back Cause he has no children to come back for It so hard to learn, there's so much to hate Hanging on to hope when there is no hope to speak of And the wounded skies above say it's much too late So maybe we should all be praying for time
It was a very lucky set of incidents that led to Wham! getting a record contract - although we weren't Wham! when we got the record contract. We were nothing; we were just two friends who had written a few songs.
Andrew [Ridgeley] and I had demoed a couple of our songs very cheaply, and we weren't expecting any kind of record deal. We just walked around with our demo tape, trying to find someone to give us the money to demo properly. Instead of that, we got a record contract. It was just an incredibly lucky break.
[Music From the Edge of Heaven] wasn't really an album at all. The band had made the decision to release an LP and then split up. We wanted to go out with a bang in Britain and the rest of the world by having a single that was four songs, not just one song. But we couldn't do that over here because we couldn't release a single without an album.
I've never done anything so political before. I've spent years shouting my mouth off about serious issues over dinner tables but never really had the confidence to express my views in a song.
[My mother] is much more musical, and by the time I started writing songs - by the time I was about 17 - she started to believe in me, musically.
A lot of people felt that I was just tying that into the "I Want Your Sex" theme because of the AIDS thing and the prospect of the song's being banned. I thought it was a relevant point to make because of the AIDS thing. I wanted to write a song which sounded dirty but which was applicable to someone that I really cared about. That was my point.
I hope it really comes off. It would make my dad really proud." (about the song for the coming 2004 Summer Olympic Games in Athens, Greece)
I had a very important personal point to make with this song [I Want Your Sex]. I just hated the idea that lust and forbidden excitement could only come with sleaze and strangers.
This was absolutely an attack on [British Prime Minister] Tony Blair, principally, and the perspective which is really predominant in Europe right now that he's not questioning enough of Mr. Bush's policies.
I truly believed that tonight would never happen, that I would never sing these songs to you again. But then I'm a fool, which you've probably worked out by now.
Basically I see that song as a bunch of images which I threw together to represent the fact that I was seeing one girl and then I started seeing another, and it was just the guilt in between those two periods. The ballads I've written since have been about things that really hurt me.
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