The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you go along, it 's disgraceful to have to do this, but now and again you have no choice.
One novel that I think is an overriding influence in my life is 'All the King's Men,' the most beautiful book written in the U.S.
The only thing that I'm not willing to do is really stupid, horribly written sitcoms. It can be tempting during pilot season time, but I realized this a while ago when I almost signed my life away to a stupid pilot.
I have written a bunch of scripts that have not gotten produced, much more so early in my career than later.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
I have no objection to well-written romance, but I'd read enough of it to know that that's not what I had written. I also knew that if it was sold as romance I'd never be reviewed by the 'New York Times' or any other literarily respectable newspaper - which is basically true, although the 'Washington Post' did get round to me eventually.
What underlies great science is what underlies great art, whether it is visual or written, and that is the ability to distinguish patterns out of chaos.
I've always written in a free, unencumbered way.
I've written what and when I want to. It's been about expressing myself. But with the degree, I had to learn to do everything in a very specific, disciplined way. I am very disciplined, but this demanded a totally different kind of discipline. A real challenge.
I've had the same, full-time assistant and typist for eight or nine years now. She's read everything I've written, she types everything and does a good job, translates it and makes comments.
I want to clear up a few myths about myself. People have written that I was a kindergarten teacher and a former Miss Texas, and neither is true.
I have written a few children's books. The first book that I wrote was for children. It was called "The Package", and it was a mystery story in pictures. It had no words.
Once you've invested hundreds of hours in creating a coherent universe, your story's grown to around a half-million words and can't be written as anything less than a trilogy.
In all the poems I've written I've not really engaged in politics, and when I've found myself moving in that direction I've always stopped myself.
There are some different things I'm writing and developing, but I don't know where they'll go. They're fun stuff that I would be in and are written in my voice, for me.
There is a lot of rubbish written about toilet humour - people saying it is childish and pretending it is beneath them - but there is no doubting the effectiveness of a really good willy gag.
What has always surprised me when I walk into a bookstore is the number of books that you can find that are written with certainty. The authors tell some story as though it's true, but they don't have any evidence that it is true!
I've always written. When I was in school, the only teacher who ever liked me was my creative writing teacher. I used to enter poetry competitions, and I don't think I ever lost one. So I had the idea for a while of being some kind of poet.
If I feel like it's a well-written script and if it speaks to me, it's something I want to do. I usually rely on my instincts when it comes to a script.
Usually, in any revolution people are focused on who wants to have the most power. But the most important thing is the laws that are written during that time.
I don't just want my books to be about the '30s and '40s. I want them to read as if they had been written then. I think of them as '40s novels, written in the conservative narrative past.
I have always credited the writer of the original material above the title: Mario Puzo's The Godfather, Bram Stoker's Dracula, or John Grisham's The Rainmaker. I felt that I didn't have the right to Francis Coppola's anything unless I had written the story and the screenplay.
There's a place on my arm where I've written her name next to mine.
Rhyme written in graffiti xeroxed on blueprints, students influenced are now a nuisance.
Things which any idiot could write usually have the quality of having been written by an idiot.
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