A work of art is the unique result of a unique temperament. Its beauty comes from the fact that the author is what he is. It has nothing to do with the fact that other people want what they want.
The work of art is to dominate the spectator: the spectator is not to dominate the work of art.
We have no other means of recognising a work of art than our feeling for it.
Works of art cannot save us. They can simply render us more sensitive to what needs to be repaired.
Humanity looks to works of art to shed light upon its path and its destiny.
The work of art acts like another living person with whom we are conversing.
I could be just a writer very easily. I am not a writer. I am a screenwriter, which is half a filmmaker... But it is not an art form, because screenplays are not works of art. They are invitations to others to collaborate on a work of art.
My furniture, boxes, and turnings are simple, practical designs for everyday use. I love the grain and beauty of wood. Each piece of lumber is a work of art, after all, and I'd like to honor that gift and pass it on for someone else to appreciate.
While the authority of the doctor or plumber is never questioned, everyone deems himself a good judge and an adequate arbiter of what a work of art should be and how it should be done.
Any genuine work of art generates new work.
We're all works of art in progress.
I think it's always hard for people to get their head around the fact that populist, commercial films can also actually be great works of art.
Every work of art causes the receiver to enter into a certain kind of relationship both with him who produced the art, and with all those who, simultaneously, previously, or subsequently, receive the same artistic impression. Art is a human activity- that one man consciously by means of certain external signs, hands on to others feelings he has lived through, and that others are touched by these feelings and also experience them.
Every work of art reaches man in his inner powers. It reaches him more profoundly and insidiously than any rational proposition, either cogent demonstration or sophistry. For it strikes him with two terrible weapons, Intuition and Beauty, and at the single root in him of all his energies... Art and Poetry awaken the dreams of man, and his longings, and reveal to him some of the abysses he has in himself.
The Smithsonian museums are among this country's most endearing treasures and I look forward to helping maintain and enhance their coveted works of art.
I think every work of art is an act of faith, or we wouldn't bother to do it. It is a message in a bottle, a shout in the dark. It's saying, 'I'm here and I believe that you are somewhere and that you will answer if necessary across time, not necessarily in my lifetime.'
Every work of art is a trick by which the artist manipulates appearances.
The chief trick to making good mistakes is not to hide them - especially not from yourself. Instead of turning away in denial when you make a mistake, you should become a connoisseur of your own mistakes, turning them over in your mind as if they were works of art, which in a way they are.
It is my conviction that the public always shows itself more honest in its spontaneity than do those who officially set themselves up as judges of works of art.
Interpretation, based on the highly dubious theory that a work of art is composed of items of content, violates art. It makes art into an article for use, for arrangement into a mental scheme of categories.
There must be some one quality without which a work of art cannot exist; possessing which, in the least degree, no work is altogether worthless.
Nature as it is-nature with nothing selected or discarded from it-cannot become a work of art.
I think everybody starts out by seeing a few works of art and wanting to do something like them. You want to understand what you see, what is there, and you try to make a picture out of it. Later you realize that you can't represent reality at all - that what you make represents nothing but itself, and therefore is itself reality.
A work of art is itself an object, first of all, and so manipulation is unavoidable: it's a prerequisite. But I needed the greater objectivity of the photograph in order to correct my own way of seeing: for instance, if I draw an object from nature, I start to stylize and to change it in accordance with my personal vision and my training. But if I paint from a photograph, I can forget all the criteria that I get from these sources. I can paint against my will, as it were. And that, to me, felt like an enrichment.
To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning around. Surely our innocent pleasures are not so abundant in this life, that we can afford to despise this or any other source of them.
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