[Carnival Ride] is part of a line from my favorite song on the album, "Wheel of the World." It sums up everything that's happened to me. It's nuts to think of where I was a couple of years ago.
I told the attorneys that I had been raped in hopes that it would speed things up in the court system. However, the wheels of justice turn remotely very slow and a women can just stay pregnant for so long.
We are all either wheels or connectors. Whichever we are we must find truth and balance, which is a bicycle. Trust and balance are also essential to true love.
Chanting doesn't stop you from being creative or productive. It actually helps you concentrate. I think this would make a great sketch for television: imagine all the workers on the Ford assembly line in Detroit, all of them chanting Hare Krishna Hare Krishna while bolting on the wheels. Now that would be wonderful. It might help out the auto industry, and probably there would be more decent cars too.
Some people are introverts and if they don't have enough time for themselves, they don't feel right. And extroverts don't feel right with too much alone time. There are those who need walks in nature or they feel depressed. Your linchpin is the pin that makes the wheel go. If you lose it, the wheel falls apart.
You have to push on both pedals to make the wheels go 'round. Similarly, you need faith in Christ as well as knowledge. The problem is that there are always Christians who want to push one pedal - either knowledge or experience. We need both.
For me, when I'm coming up to a place where I have to make somebody up, it's almost like driving and taking your hands off the wheel.
The wheels in my brain are turning and I assure you a lot is brewing up in my head!
[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.
I followed [Shoji] Hamada, because I guess Alix [MacKenzie] and I, we both saw the danger that lay in planning things out on paper and then simply executing them. And with Hamada there was a much more direct sense that the piece had happened in the process of making on the wheel, and that was what we wanted to do with our work. We weren't always able to do it, though.
In school we did all sorts of things, molds, slab building. We were not very proficient on the wheel because the woman who taught was not proficient on the wheel. And so we learned from her assistant who had learned from her assistant the year before and so on, and that was not very good training.
In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio, which was press-molded forms, plastic clay pressed into plaster forms to make small rectangular boxes and some vase forms, which he liked to make. These were molds which had been made to an original that he had modeled in solid clay, and during our work there, sometimes I would be pressing these forms as a means of production.
If you press-mold a pot or if you slab-build a pot, the work has got to take much, much, much longer than if you work on the wheel. And I to this day have the ideal that I want my work to be not too expensive, so that if people buy it and break it, it's not going to be the end of the world. I'm not interested in having things in museums, although some of our work has ended up there, but that's not what I'm striving for.
I'm striving to make things which are the most exciting things I can make that will fit in people's homes. And in that respect, working on the wheel is economically about the only answer I know, because one can, as Leach said, make 50 pots in a day. You can make 100 pots in a day. A really good potter can make 400 pots in a day.
In the modern era, it isn't enough to write, you must also be the Writer, with a capital 'W,' and play your part as the protagonist in the cautionary narrative in which you will fail or triumph, be in or out, hot or cold, ride the wheel of fortune.
I hadn't had any course work in ceramics. I had no courses in art education but I wasn't going to let this chance to have a job pass me by. I went out and learned and I stayed one step ahead of the students by reading and I got to be pretty proficient at throwing on the wheel and making my own glazes, ordering the chemicals and having the students go out and dig and process their clay, and doing things that they weren't teaching at Howard University. So Talladega College opened up my whole sensibility about experimental teaching.
Put your shoulder to the wheel.
I'm a soccer mom. I'm T-ball, soccer, karate, homework, keeping them on their schedules. I love being the snack mom, when I get to bring the cut oranges. I have one of those coolers with wheels. I'm at every game, every practice, sitting on my blanket. I love it.
Modern invention has banished the spinning wheel, and the same law of progress makes the woman of today a different woman from her grandmother.
The half minute which we daily devote to the winding-up of our watches is an exertion of labour almost insensible; yet, by the aid of a few wheels, its effect is spread over the whole twenty-four hours.
Karma brings us ever back to rebirth, binds us to the wheel of births and deaths. Good Karma drags us back as relentlessly as bad, and the chain which is wrought out of our virtues holds as firmly and as closely as that forged from our vices.
I don't profess to have music as my big wheel and there are a number of other things as important to me apart from music. Theatre and mime, for instance.
The topic of trust is an important factor in all matters of the heart - and here's why. Men lie to women. Women lie to men. And most people agree that some lying is even necessary - to avoid petty squabbles and to grease the wheels of a relationship.
They [i.e. ambitious men] may not cease, but as a dog in a wheel, a bird in a cage, or a squirrel in a chain, so Budaeus compares them; they climb and climb still, with much labour, but never make an end, never at the top.
I'm not a fan of chrome wheels. I sort of like brushed, brushed steel, more European style.
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