It's a collaborative art form where we can both learn something from the other. That's what you want from the relationship with a director.
If you're sufficiently tenacious and interested, you can accomplish what you want to accomplish in this world.
Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.
You have to choose between what the world expects of you and what you want for yourself.
It's like all technology: either not powerful enough or too powerful. It will never do exactly what you want it to do.
I have come a hundred miles," said a minister, "to get some of Mr. Moody's spirit." " You don't want my spirit," was the reply. "What you want is the Spirit of God.
Racist people are few, in the minority. But you can do nothing to change them. You can talk, you can do what you want, but you can't do anything because they are just stupid people.
It doesn’t take objectivity to know what you want, and you’re not objective enough to know what you need.
I think dating is all about role playing, and figuring out what you want and don't want. You figure out more about yourself by meeting people. You're like, "I'm not right for that person, but why am I not?" I think dating is a really interesting journey.
When you're a comic, it's like being born gay. It's what you want to do every night when your other friends are out at night going to parties.
It's not enough to have values without vision ; you want to be good, but you want to be good for something. On the other hand, vision without values can create a Hitler . An empowering mission statement deals with both character and competence; what you want to be and what you want to do in your life.
When Arthur Ashe plays tennis, his purpose each day is to play the game in a way he has never played it before. It may be a backhand he uses, one that he may never have used before in that circumstance. His play is a fresh integration of his world at the instant of action. A really great scientist has the whole past at his disposal. At any instant he is rebuilding the world, molecule by molecule, in his subconscious. That is what you want in an athlete or a scientist.
I've said consistently that no employer ever really accepts a union. They tolerate the unions. The very minute they can get a pool of unemployment they'll challenge the unions and try to get back what they call managements prerogatives, meaning hire, fire, pay what you want.
Directing is a very all-consuming job. What you want to do there, as you're coming down the final road, is to just sit back and enjoy and let the wind flow through your hair. When you're directing, you're sitting there going, "I need to make this shot. How many hours do we have left in the day? How many hours behind are we?" You're just constantly worried about doing the job.
The thing is that what you try to do when you play is you try to play not below a certain level. In other words, it can be a special day where it would be phenomenal, but if it's not below a certain level, that's the goal. You know, that's what you want to do. That's why you practice and so on.
I don't actually tend to do a lot of research when I'm writing. I do know because I think a lot of what I find you want to do with research is just confirming things you want to do. If the research contradicts what you want to do, you tend to go ahead and do it anyway.
I don't feel pressure, because I do what I want to do. I don't feel pressure at all. I've never done any movies because I thought this was what somebody wanted me to do. I'm a bit more, for lack of a better word, selfish than that. But like I say in the movie, you do what you have to do so that you can do what you want to do.
To be born with a unique instinct, will demand 'unique duties'. If you didn't think about being an artist before 7 years of age you probably don't have it and you will be able to paint what you want to paint.
Visualize what you want to do before you do it. Visualization is so powerful that when you know what you want, you will get it.
It's very hard to find men's clothes that do what you want, especially when you go through them as quickly as I do. I need them to be flashy, but I never like to be overdressed. I need to make a statement, but I hate wearing too many clothes.
What you want is already here, in the unified field of pure potential. Everything you need to fulfill your greatest desire is already part of your being. But it can’t come out until you align with it, let go of the obstructions to it, and raise your vibration to the level at which it already exists.
Beginning before you know what you want to say and keeping on after you have said it lands a merchant in a lawsuit or the poorhouse, and the first is a shortcut to the second.
The four laws of learning are: the first is demonstration of what you want. The second is the criticism of the demonstration. The third is the imitation of the correct model, and the fourth is repetition, over and over until it becomes habit where is you don't think about it.
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
I had been told by a number of people that if you get half of what you want on your first album, you're doing really well. Pretty much every single thing they had was something that I liked. There were maybe one or two songs I didn't like, and they were taken off the album quickly.
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