Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.
Deep down, I'm just a West Virginia hillbilly.
America had, for one thing, lived in anarchy for - until much more recently than Europe. We had the Wild West, where the cliche of the cowboy movies was the nearest sheriff is 90 miles away, and so you had to pack a gun and defend yourself.
I see that not everyone in the West has understood that the Soviet Union has disappeared from the political map of the world and that a new country has emerged with new humanist and ideological principles at the foundation of its existence.
Oh, the Irish were building the railroads down through Mexico, through Chihuahua. They finished the railroads when they finished out in the West Coast, and they went down and put the trains into Mexico.
I have nothing against the veil. And I think that, wrongly, many in the West look at the veil as a symbol of oppression. Now, as long as a woman chooses to wear the veil, because that's her belief and because of her own - that's a personal relationship with God, so she should be free to dress in whichever way she wants.
The philosophical connection between the Islamic world and the West is much closer than I thought. Doubt did not begin with Descartes. We have this construction today that the West and Islam are entirely separate worlds. This is wrong.
We tend to forget in the West that the United States has more Muslim blood on its hands than Al Qaeda has on its hands of innocent non-Muslims.
As an actor and as a person you come together with being in familiar territory although that has not been my whole life. That's been a part of it. I think a lot of people associate me with the west because of Sundance.
I collect cars and bikes. One of my most special rides is a black 1930s Cadillac V16, and then I've got a few West Coast choppers.
I would have strong opinions and be prepared to argue my case, but if you talk to my colleagues, I think you'd find they consider me the jokester, the informal mayor of the West Wing.
I do sing in the car. I actually sing Britney Spears songs in the car - me and a close friend of mine. She lives in West Palm and I live in Miami, and when we're going back and forth to see each other, we sing: 'Oh, Baby Baby.' We sing all these 1990s songs. We're like two 14-year-old kids just having a good time.
Dissensions between Muslim nations run at least as deep, if not deeper, than those nations' resentment of the West.
In Iran, fundamentalism was fuelled to an extent by the regime of the Shah being supported by the West.
The West sees Iran as an important force in the gulf.
The west was involved in toppling the Mossadegh government. That ultimately led to the Iranian revolution.
I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
One of the reasons my name is Rushdie is that my father was an admirer of Ibn Rush'd, the 12th century Arab philosopher known as Averroes in the West. In his time, he was making the non-literalist case for interpreting the Koran.
The mistake of the West was to put the Sauds on the throne of Saudi Arabia and give them control of the world's oil fortune, which they then used to propagate Wahhabi Islam.
The West should be tougher on Pakistan. It is trying to play both ends against the middle - to look like the friend of the revolutionaries on the one hand and a friend of the West in the fight against terrorism. It can't be both things.
When 'Midnight's Children' came out, people in the West tended to respond to the fantasy elements in the novel, to praise it in those terms. In India, people read it like a history book.
This country, and the West Coast, especially, is bad at preserving any cultural legacy.
Anyone who relishes art should love the extraordinary diversity and psychic magic of our art galleries. There's likely more combined square footage for the showing of art on one New York block - West 24th Street between Tenth and Eleventh Avenues - than in all of Amsterdam's or Hamburg's galleries.
The real war is not between the West and the East. The real war is between intelligent and stupid people.
This clash of the culture, East and the West, us and them, Muslim and Christian, does not exist.
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