One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.
I bring myself innately to it, yeah. I bring those details as much as I - what I don't obsess over is, there are certain ways I might've pushed it even a little more. For example, [to Warren] your accent. I know Warner Bros. at one point came in. I don't know, until you came to set, I know I wore that long tartan skirt and the ruffled blouse for that.
If you're going to succeed, you've got to be like one of those punch-drunk fighters in the old Warner Bros. boxing pictures: too stupid to fall down, you just keep slugging and stay on your feet.
If you love Harry Potter, you're going to absolutely love this...this is the biggest box set that Warner Bros. has ever done. If it was any bigger, it'd need wheels.
Today Washington is our Hollywood, the Senate our Warner Bros., the White House our Beverly Hills. People who never read a line of a movie magazine deal with the lives of leaders as if they were Elizabeth Taylor and Richard Burton.
I'd like to own Intel... I'd like to own Microsoft... I'd love to have Warner Bros in my hip pocket.
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