Fear isn't in my vocabulary.
'To die is gain!' That kind of talk is absolutely foreign to our modern, spiritual vocabularies. We have become such life worshippers, we have very little desire to depart to be with the Lord.
It might interest you to know that the 1828 Noah Webster Dictionary identifies the optimist in complimentary terms, but says nothing about the pessimist. The word 'pessimist' was not in our vocabulary at that time. It's a modern 'invention' which I believe we should 'dis-invent.'
'Give up... it's time to quit,' I don't think I've ever really accepted those kinds of words in my life or vocabulary.
Within the context of the alchemical vocabulary, the psychedelic experience, as brought to us through plants long in the possession of Aboriginal people, appears to be the identical phenomena.
We form ourselves within the vocabularies that we did not choose, and sometimes we have to reject those vocabularies, or actively develop new ones.
I panicked when my son, Jett, stopped eating baby food. He's only two but his food vocabulary is fantastic. He likes my baked tilapia and string beans with chopped garlic. But he really likes pizza. Sometimes every inanimate object to him is pizza.
English is the largest of human tongues, with several times the vocabulary of the second largest language -- this alone made it inevitable that English would eventually become, as it did, the lingua franca of this planet, for it is thereby the richest and most flexible -- despite its barbaric accretions . . . or, I should say, because of its barbaric accretions. English swallows up anything that comes its way, makes English out of it.
Creativity is more about taking the facts, fictions, and feelings we store away and finding new ways to connect them. What we're talking about here is metaphor. Metaphor is the lifeblood of all art, if it is not art itself. Metaphor is our vocabulary for connecting what we are experiencing now with what we have experienced before. It's not only how we express what we remember , it's how we interpret it - for ourselves and others.
I suppose the most important thing, the heaviest single factor in one's life, is whether one's born male or female. In most societies it determines one's expectations, activities, outlook, ethics, manners - almost everything. Vocabulary. Semiotic usages. Clothing. Even food. Women... women tend to eat less... It's extremely hard to separate the innate differences from the learned ones. Even where women participate equally with men in the society, they still after all do all the childbearing, and so most of the child-rearing.
The world going insane and evil letting slip the birds of war is no excuse for sloppy vocabulary.
I don't think we have all the words in a single vocabulary to explain what we are or why we are. I don't think we have the range of emotion to fully feel what someone else is feeling. I don't think any of us can sit in judgment of another human being. We're incomplete creatures, barely scraping by. Is it possible--from the perspective of this quickly spinning Earth and our speedy journey from crib to coffin--to know the difference between right, wrong, good, and evil? I don't know if it's even useful to try.
It is said that the American vocabulary has declined by half in the past few decades. It's a tragic instance of desertification following upon monocultural commodity production, the clear-cutting of written and spoken English.
An average English word is four letters and a half. By hard, honest labor I've dug all the large words out of my vocabulary and shaved it down till the average is three and a half... I never write metropolis for seven cents, because I can get the same money for city. I never write policeman, because I can get the same price for cop.... I never write valetudinarian at all, for not even hunger and wretchedness can humble me to the point where I will do a word like that for seven cents; I wouldn't do it for fifteen.
Every human occupation has it repertoire of stock phrases, within which every man twists and turn until his death. His vocabulary, which seems so lavish, reduces itself to a hundred routine formulas at most, which he repeats over and over.
My only defense is the acquisition of vocabulary.
They're just words is all. Powerless. Vocabulary. Dialogue.
Vocabularies are crossing circles and loops. We are defined by the lines we choose to cross or to be confined by.
Julia's vocabulary was "chock-full" of strangely archaic words - "spiffing," "crumbs," "jeepers" - that seemed to have originated in some prewar girls' annual rather than in Julia's own life. For Jackson, words were functional, they helped you get to places and explain things. For Julia, they were freighted with inexplicable emotion.
Please, don't torture me with cliches. If you're going to try to intimidate me, have the courtesy to go away for a while, acquire a better education, improve your vocabulary, and come back with some fresh metaphors.
There's a lot of memorization that goes on in school. You memorize vocabulary words and all these sorts of things.
I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.
We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings.
She wonders if you can feel nostalgic for something before it's in the past, she wonders if perhaps her vocabulary is too small or if her chemical intake has corroded it and the music goes doowoah doowoah.
Threats are the last resort of a man with no vocabulary.
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