Facebook, instagram - I prefer visual communication better than verbal. But I read all the comments, answering too.
Now, by and large, people are recording material to put on YouTube. I have a theory that YouTube is, in the end, the #1 media for musicians. Which is strange, because there's a visual associated with it.
I'm up for a massive, bombastic tour with hydraulics, robots, lasers, 15 costume changes, projecting on a power station, big impact, big visuals. I'd love to realize the theatricality of the whole thing. To be overwhelming, to surprise you, maybe to play in hidden spaces.
I'm super interested in visual, and I love that being in a band can be as much about making an image as it is about making a sound.
Beyonce is such a visual artist. This was just trying to figure out another side to her that could be fun and young and exciteful and a great video.
I wanted wherever possible to lean into the comic form and do things in the story telling that could only be done in comics and which pay homage to the many strands of comic and visual storytelling tradition.
I've always admired people with really strong presences and felt that caring about the visual component of what you do is not intrinsically superficial or vain.
Visuals are as artistic as sounds, so being serious about both isn't a contradiction to me.
I've always been more visual-based. I've kept my musical tendencies kind of in the closet.
Some people I see - people who do more or less have prerecorded tracks - their persona is such that the visual side of just them is way more important and multi-dimensional. Me, I'm boring to look at.
There are people who seem to be on the verge of going either way, and something kicks in to support either the visual or the auditory. Maybe if you are in a rush for success you follow the one that is the most successful, and the other falls to the wayside.
When I would present my work as a student, often I would hear, "Your project is too formal" - it's too form-based; it's too form-driven. Which is kind of shocking for a visual practice, for someone to say something discouraging about a focus on an exploration of aesthetics.
As a visual discourse, architecture requires trained individuals to work on the refined philosophical debates. School gave me the necessary training, and I've built on this based on my own aesthetics, as most do.
Yes, a lot of European cinema and a lot of independent films and art-house stuff. She is a photographer. She is a visual artist and photographer and my dad is, too. My mum, I must credit for showing me good films. With my career, my parents were great and though they were a little wary, maybe, of the acting ambitions they have always been supportive.
When cars have the sensory systems around them, GPS intelligence, they're looking at the world not only in visual spectrum, but infrared, ultraviolet and everything else that's going on and they've got reaction times in microseconds. Not a tenth of a second. They're a hundred thousand times faster.
It's hard to be shocking now. It's hard to challenge people because the Internet has allowed everyone to become much more worldly, much more visual. It's very hard to surprise people.
You know, mind allows us to portray in different sensory modalities, visual, auditory, olfactory, you name it, what we are like and what the world is like. But this very, very important quality of subjectivity, this quality that allows us to take a distant view and say, "I am here, I exist, I have a life and there are things around me that refer to me." That me-ness, M-E-hyphen, that is what really constitutes consciousness.
I could quite happily just make music because it conjures up a whole visual world for me in my mind.
Often times at a concert, I just close my eyes. Music is very transportive and visual for me like that.
The visual is important. "Let's get to work" says let's get it done, and that's what they want.
The most powerful visual in America today is actually the Statue of Liberty.
Now if you think about the 20th century and the idea of visual vocabulary the album occupies a really important space in the cultural landscape and, above all.
The idea of a visual icon that gives you a sense of information very quickly and that you can easily just say "That's what the style is."
The Old Spice ads - women love it. The guys find it annoying. It always causes a great conversation. And it makes it more fun. You know, we've been testing those visuals to see what attracts attention.
That's the kind of visual that you're trying to attract - something that in some way or another, connects you to what's happening there in a realistic way.
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