Everything kind of was leading towards that and I had so many specific ideas always about how exactly I wanted something to look. I would customize so many things in my wardrobe that were vintage or things that I was buying, and it just really all aligned and the timing was perfect.
Some things are better than other things: Google, Gmail, my vintage Montgomery Wards socket set (30+ years, still going strong), my Estwing framing hammer, and my Dremel rotary tool.
I'm shocked at how much I'm into Christmas pillows. There's cheesiness, obviously, but then there's really cute ones that are metallic that say "Ho Ho Ho" or "Merry" or cute vintage needlepoint ones.
There are so many cute vintage dresses made out of synthetics from the '60s and '70s - but they're so itchy and hot. It's not worth it!
I love vintage clothes. I have a real passion which probably comes from the days of my mum who had this great dress up box that she put all her clothes from the 60s and 70s in - platform shoes and jumpsuits and boots.
I used to collect vintage clothing - exquisite lace dresses, embroidered shawls and ornate jewelry - but that's just not me any more.
I definitely spend the most money on shoes, partly because vintage footwear can be a little funky - in a bad way. I like to keep things pretty simple up top and then go weird with the shoes.
For clothes, I like Dover Street Market and Acne. For vintage, I go to Mint just off Seven Dials. For shoes, it's Church's and Russell & Bromley.
This is not really currency that circulates. It's like the old joke about expensive vintage wine. Wine prices will go up and once in a while somebody will buy a 50-year-old bottle of wine and say, "Wait a minute. This has gone bad." The answer is, "Well, that wine isn't for drinking; that's for trading." These $100 bills aren't meant to circulate. They're not to spend on goods and services. They're a store of value. They're a form of saving.
Our conception of 1950s underwear is a lovely vintage aesthetic, but actually, wearing stockings with no elastic and a girdle was heavy duty.
I've come to see our central nervous system as a kind of vintage switchboard, all thick foam wires and old-fashioned plugs. The circuitry isn't properly equipped; after a surplus of emotional information the system overloads, the circuit breaks, the board runs dark. That's what shock is.
There's a lot of really inspiring music coming around the bend - we tend to believe that to sound classic or timeless is to sound vintage or retro. It's a little bit dangerous, because you'll really miss a chance to make your mark as a generation.
I do a lot of vintage shopping. I love going to second-hand stores.
If you care about this country, if you want to take part in a citizen’s movement that helps heal the deep racial, economic, and cultural divides tearing us apart, you must read Eric Deggans’ Race-Baiter. No book of recent vintage so thoroughly dissects the media’s monetized appetite for division. Provocative, honest, and smart, Race-Baiter is a supremely important book. Read it and let the conversation begin.
I wear a lot of different jewellery. I love to look for it when Im abroad or if I find a great antique or vintage shop.
Men should be judged not by their tint of skin, the gods they serve, the vintage they drink, nor by the way they fight, or love, or sin, but by the quality of the thought they think.
All my favorite establishments were either overly crowded or pathetically empty. People either sipped fine vintages in celebration or gulped intoxicants of who cares what kind, drowning themselves in a lack of moderation, raising a glass to lower inhibitions, imbibing spirits to raise their own.
Time and again I hear how important the darker environment is to those at our vintage-faith worship gathering. Attenders feel they can freely pray in a corner by themselves without feeling that everyone is staring at them.
Clothes are my drug. I love Camden market - I have so many vintage pieces from there it's unbelievable. Clothes are really important to me, they give me that feeling of happiness. I love being a bit free with it all and not giving myself rules.
Everything I commission - whether it is for me or for a client's home or for a hotel or office - is absolutely unique to that job. I have everything made, or I find vintage and antique pieces at markets and auctions.
The best thing I ever bought is a vintage Oscar de la Renta short gingham dress that I wore to my rehearsal dinner the night before my wedding.
My home has a split personality. Some of the rooms are very French antique. Think Aubusson rugs, turquoise ceramic jugs, sandbag pillows, and broken birdcages. The other half is very Aztec. Neon ikat fabric pillows, vintage books piled up to the ceiling, and shutters from Bali.
I love vintage and I shop vintage a lot because it's just such great value for money.
My vintage Levi's are my favorite on the show, 'cause they really fit.
Consider the trivial but revealing hallmarks of urban hipsterdom: faux vintage photography, the handlebar mustache, and vinyl record players all hark back to an earlier time when people were still optimistic about the future. If everything worth doing has already been done, you may as well feign an allergy to achievement and become a barista.
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