I still visit my village quite often, as my parents and one of my sisters live there, but also I feel the village is more of an isolated, unreal part of me.
You convey too great a compliment when you say that I have earned the right to the presidential nomination. No man can establish such an obligation upon any part of the American people. My country owes me no debt. It gave me, as it gives every boy and girl, a chance. It gave me schooling, independence of action, opportunity for service and honor. In no other land could a boy from a country village, without inheritance or influential friends, look forward with unbounded hope. My whole life has taught me what America means. I am indebted to my country beyond any human power to repay.
The largest single step in the ascent of man is the change from nomad to village agriculture.
If you lie down in a village square hoping to capture a sea gull, you could stay there your whole life without succeeding. But a hundred miles from shore it's different. Sea gulls have a highly developed instinct for self-preservation on land but at sea they're very cocky.
Your village just called. They're missing an idiot.
Each hamlet or village or town should be a place, its own place. This is not a matter of fake historicism or artsy-craftsy architecture. It is a matter of respect for things existing, subtle patterns of place woven from vistas and street widths and the siting and color and scale of stores, houses, and trees... If the countryside is to prosper, it must be different from city or suburb... The difference is in part the simple business of containing our towns and giving them boundaries.
I don't think that village idea of actually knowing what you're contributing to the whole exists anymore.
Franz Kline, who became known for his black and white paintings, did a whole series of gorgeous landscapes and wonderful portraits that may still hang in Greenwich Village.
Because in the feudal system of that period at least 80% of people lived in villages, so it's very simple to get a cross-section of society in a single village. You get the microcosm of the social macrocosm.
The important thing about travel in foreign lands is that it breaks the speech habits and makes you blab less, and breaks the habitual space-feeling because of different village plans and different landscapes. It is less important that there are different mores, for you counteract these with your own reaction-formations.
For a writer you have to be interested in different cultures, different backgrounds. You are not there to write only about your village. You're there to show a bit of your village, but also to understand other villages.
It's not a secret family like I have a beautiful, gorgeous wife in Tokyo; I have another mom and dad. I'm the kid and I have another mom and dad in Atwater Village, Los Angeles.
There is no better way of industrializing the villages of India than the spinning wheel.
The collectors of revenue and the policeman are the only symbols by which millions in India's villages know British rule.
If there ever is to be a republic of every village in India, then I claim verity for my picture in which the last is equal to the first or, in other words, no one is to be the first and none the last.
India's way is not Europe's. India is not Calcutta and Bombay. India lives in her seven hundred thousand villages.
Men appear to prefer ruining one another's fortunes, and cutting each other's throats about a few paltry villages, to extending the grand means of human happiness.
Urbanization in India is a slow but sure death for her villages and villagers.
Khadi is the sun of the village solar system.
I was going to become a youth worker because I do voluntary work with the kids in the little village where I live. I make little films with them and stuff when I'm not working. I thought, I'll pack it in then and go and do something I love doing, and get a regular job because I've got two kids and a mortgage.
I never felt at home. I stuck outIn New York City, especially in Greenwich Village, down among the cranks and the misfits and the one-lungers and the has-beens and the might've beens and the would-bes and the never-wills and the God-knows-whats, I have always felt at home.
I find what I call the [bleep] side of the industry very difficult. You won't see me at other peoples' premiers. I mean, I go to my own premiers because I have to help my film, but I don't enjoy that whole side of it. I don't enjoy celebrityhood. I love getting a seat in a restaurant. I love it when people say hi when I don't know them. I mean, that's fine, but apart from that, I like the elements of celebrityhood which make living in the world like living in your own village.
When a village ceases to be a community, it becomes oppressive in its narrow conformity. So one becomes an individual and migrates to the city. There, finding others like-minded, one re-establishes a village community. Nowadays only New Yorkers are yokels.
I had literary interests my whole life. I decided at the age of five I was going to be a writer. So I had done a great deal of reading. I suppose I was more at home in Greenwich Village than, say, any of classmates from Warsaw High School. But in any case, it was an overwhelming experience for me. It took me some time to begin to assimilate it.
I think that the heroism which at this day would make on us the impression of Epaminondas and Phocion must be that of a domestic conqueror. He who shall bravely and gracefully subdue this Gorgon of Convention and Fashion, and show men how to lead a clean, handsome and heroic life amid the beggarly elements of our cities and villages; whoso shall teach me how to eat my meat and take my repose and deal with men, without any shame following, will restore the life of man to splendor, and make his own name dear to all history.
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