[Mike] Bloomberg aides says he's more likely to run if it's [Donald]Trump or [Ted] Cruz versus Sanders, then there would, presumably, be space in the middle for him. But he's less likely to go if Hillary Clinton is the nominee.
I'm focusing on quality versus quantity - a nicer tee-shirt with organic cotton and buying just one or two instead of five that are cheaper but made with GMO cotton, which is hard on Earth, sewn by slave labor, shipped all the way from China on boats that use lots of oil and can kill whales with ship strikes and sold by (some) companies that could treat their
I am happy to accept that badge of ambivalence if that means some progress in dismantling this false opposition: writers boldly using their privileges of free speech in the morally superior West versus pathetic wimps in repressive countries we don't like.
I always try to take projects I'm genuinely interested and passionate about versus just trying to take projects for the money.
Bullfighting is anachronistic - you enter into a bullring and you're leaving behind the values of the world outside the ring. I suppose that what I would want to acknowledge is that perhaps the tension, the crucial tension, isn't necessarily between the view of bullfighting as a tradition versus as an art form, but between the values inside the ring and the values outside the ring.
Artists used to argue about art for art's sake versus social realism etc, and now it's like the most dominate argument is related to "art for the market's sake." It's a necessity, somewhat, for some people.
I try to tell a story when I'm playing. I try to make an emotional connection when I'm playing versus before I played just to play. Now there's a sense of purpose of why I play, of how I play. So people can actually feel what I'm saying to them.
And they are much more skeptical of the very idea of having immigration limits, whereas the public - again, independents and Democrats, as well as Republicans, although not necessarily all in the same proportions - have a much stronger sense of the American government and American law having responsibility to Americans specifically rather than to people around the world. So the polarization is up versus down, not really right versus left.
I look at my kids as the Harry Potter Generation. There's a sense of justice about that, in beating Voldemort. It's a classic tale of good versus evil. To have a role model like Harry Potter that says you can defeat evil, but still be a complicated human being. That gives me a lot of hope.
People define their life by what they want versus what they have. People get fixated on something and they have to have it, even though that voice inside tells them it's not meant for them.
Independent of the critique I'm making, I'm just trying to paint a more comprehensive portrait of American religion than you get from a right versus left, religious conservatives versus secular liberal, believer versus atheist, binary. Too often, we just look at religion in America through that kind of either/or lens. I think it's much more complicated than that.
Whenever someone asks me about fantasy versus realism, I'm like, "I don't know, guys. Did we not all just descend into some underworld, watch strangers from our past kaleidoscope through us according to some pattern that is both illogical and has its own strange melting truth, and then wake up and have a Pop-Tart?" Why are we talking about fantasy and reality like they're opposed?
The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice.
I'm always afraid going into strange places, but I also choose carefully and listen to my instincts. These were men I could trust. I'm a pretty good judge of crazy versus sad. I prefer sad.
The internet does not adhere to the inherent, necessary asymmetry of high-versus-low-art categorizations that we use in the cultural sector: in a banal sense, all photographs on the Web are orphans ready to be claimed.
To be concerned with the issue; soul versus non-soul, is to be in bondage to craving for becoming and non-becoming.
We set out what's going to be our work time versus our foundation time versus family time, and we'll reassess that... sometimes every week.
I believe we're headed to an Elijah/Jezebel showdown on the Earth, not just in America but all over the globe, and the main warriors will be the prophets of Baal versus the prophets of God, and there will be no middle ground.
I am extremely conscious of my tribalism. And when you talk about tribalism, you talk about living in a black and white world. I mean, Native American tribalism sovereignty, even the political fight for sovereignty and cultural sovereignty is a very us versus them. And I think a lot of people in this country, especially European Americans and those descended from Europeans don't see themselves as tribal.
What does it take to get people interested, what does it take to get people engaged, what does it take to get them to give a biospecimen? What does it take to get people like Jim [Ostell] to get interested and engaged, versus someone like my mother?
I get that racism exists, but it's not a catalyst for my content. I don't need to talk about race to have material. My style of comedy is more self-deprecating. I think that makes me more relatable. When you deal with 'topics' - race, white versus black - you're not separating from the pack. You're doing what everybody else is doing.
Good fiction doesn't come out of the basic conflict of good versus bad. Instead, it comes out of a conflict between good and good.
The optimum portfolio depends on the various expectations of choices available and the degree of variance in performance which is tolerable. The greater the number of selections, the less will be the average year-to-year variation in actual versus expected results. Also, the lower will be the expected results, assuming different choices have different expectations of performance.
When I stop learning something new and start talking about the past versus the future, I will go.
To Americans, Washington is a giant cesspool. It's no wonder almost half of Americans (47%) now agree with the statement 'I'm mad as hell and I'm not going to take it anymore.' It's us (the people) versus them (the politicians), and it doesn't matter what primary color you wear [...] I was involved in the 1994 elections, and I will never forget the arrogance of the Democrats back then, and how they refused to accept the electoral reality facing them. It is no different today.
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