I often look around me and think about this specific place in time, and what things will endure and become objects of nostalgia for the future. Pokémon? Urban Vinyl figures? Superheroes? Vampires? iPhones? It will be the things that resonate with the collective consciousness of this current time.
Human beings everywhere in the world are affected by the global media now. Still, what I have noticed in the east Asia, in the indigenous world, Alaska in particular, and in back country farm and ranch country, is a higher sense of etiquette, and more respectful manners. Urban middle class cosmopolitan world peoples of all races have become speedy and rude. This is a pretty big generalization though.
I love to be in New York. And I think anybody who's a designer, who says they're doing an urban collection, thinks about the streets of New York. I cannot do an urban collection thinking of Bangkok. Or Mexico. To me, it's totally instant, totally connected with what attracts me these days. But this resurgence of a modern, cool way of being dressed is something that stimulates me and is totally right for me. Even now I don't like to show something that is some futuristic utopia.
I grew up in Memphis, Tennessee; I went to college in New Orleans before moving to New York City for graduate school. Both sets of my grandparents grew up in rural Mississippi and brought a lot of agrarian knowledge to Memphis, which is an urban center in the South. Both sets had amazing backyard gardens. My paternal grandfather, practically every inch of available space was green.
What I also discovered was that, during the War, the whole of Europe had become a fortress. And thus I saw to what extent an immense territory, a whole continent, had effectively been reorganized into one city, and just like the cities of old. From that moment on, I became more interested in urban matters, in logistics, in the organisation of transport, in maintenance and supplies.
For most humans, especially for those in modern urban and suburban communities, the most direct form of contact with nonhuman animals is at meal time: we eat them.... The use and abuse of animals raised for food far exceeds, in sheer numbers of animals affected, any other kind of mistreatment.
Especially in urban areas, nobody cares so much [about castes], because you are forced to live in the same buildings. There is so, so little space. You can't be thinking about whether you are living in a street that has only Brahmins, or in a building that has been touched only by Muslims or Christians. You just live there, because that's the only place that you can find. So such distinctions just crumble away. There are people who maintain them, at all costs. But for the most part, it doesn't matter.
I had to create a children's show, because we wanted the money - and it was, interestingly enough, the first project at the Angel Island theatre space. We did the show, an adaptation of Grimm's Fairy Tales. It was hardcore Grimm - nothing was sanitized - and it was called 'The Mary-Arrchie Kid's Show.' It was well-received, and so I applied to do it through Urban Gateways in Chicago.
Imagine my delight and awe when I discovered such a thing was a real genre - contemporary fantasy or urban fantasy. It was like having my birthday twice in one week and cookie dough for breakfast.
Laying siege to enemy-controlled cities allows attacking armies to keep their own casualties low by avoiding urban combat.
If you look at the world today, there are as many solutions as there are problems. I think that is a big part of creativity. That's why I started Urban Zen. Because I wanted to dress and address people.
All communities, and low-income communities especially because of food insecurity and lack of access to healthy foods, need more farmers markets, need more community gardens and urban farms. It would be great if people living in communities had the tools and resources to grow food in their own backyard - community-based food systems.
I did Urban Zen for myself, to make clothes for me and my friends, a similar philosophy to when I started Donna Karan. Except this time I hope it will stay that way so that I will be able to support young designers and mentor them.
The rage building up, generation after generation, among what has become a permanent underclass in many parts of the world cannot continue. We are desperately undereducating our children. In the United States, we are turning prison-building into the single largest urban industry. These are like toxic chemical factors any one of which could cause a raging fire. God help us if they begin to interact.
There is extreme poverty in Appalachia, where I was, and increasingly poverty is not just an urban thing.
We have to immediately stop using the oceans as a dumping ground for our urban and industrial waste.
There isn't a river or creek in the country - or there are very few - that doesn't have some small group of people working on a restoration or creek cleanup project. Let me give you one example that's a great metaphor: In Washington, D.C., there is a group called the Anacostia Watershed Society. Two rivers converge and define Washington - one which everybody knows about, the Potomac, and the Anacostia, which they don't. The Anacostia is one of the most polluted urban rivers in the country.
Etgar means "challenge." And my family name is Keret, which means "urban." So my name is "urban challenge." My joke is, it's a good description of a birth but a strange name for a human being.
It's easier in an urban world to cast the blame outward. So I've learned a lot about my own process in that way.
A location can really enhance exercise enjoyment. Getting out in nature - whether it's a beach, lake, river, forest, hills or even an urban park - can do wonders for our mood and stress levels.
Building a smarter grid has long been a key part of our government's plan to modernize our energy infrastructure and provide clean, reliable affordable power to consumers. By supporting Ryerson's Centre for Urban Energy we are building a whole new landscape for innovations that will be the backbone for our energy system for future generations.
Cities originally surrounded by a wall can produce an urban population cut off from the surrounding fields and from agriculture altogether. At the same time, the greenbelt laws eliminate the possibility of the unchecked expansion of a city into a monstrous megalopolis. If there is a need for additional homes, a new city must be established.
We want to bring enterprise back to blighted urban areas. People there have been told nothing is ever going to change. The policy makers may feel the same way.
Pulp Fiction is a, uh, gritty, urban satire. Pump Friction is a uh-uh, a bunch of uh, dudes and ladies having dirty sex.
I heart abortion. Where's the shirt for that, urban outfitters?! And it won't be a normal heart. It'll be a dead infant heart. Y'know what the back will say? Problem Solved.
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