I still write with pen and paper and have someone type it on a computer. But rewriting I do by hand.
The type of work I do is more like CrossFit, so I do track workouts, and I do boxing workouts. So it's a lot of different things that I do. I don't want to overload the body too much, but when we do the hill, it's not like workouts.
[Amy Sedaris] probably can't sit still, that type of thing. She's a force to be reckoned with.
Twenty years after the Andy Griffith Show when Andy did Matlock, he hired me for four episodes. I told him I wanted to develop an Aunt Bea type role for Matlock, but he was against it. I did appear on other popular TV shows, like Family Affair, My Three Sons, Barnaby Jones and Little House on the Prairie.
There was a conflict - the actual putting together of the reality of the situation didn't seem to gel. I'd been doing kind of a slow ballad type of thing on records, but when it came to performing, I felt I was limiting myself.
I realized that what I was looking for was doing collaborations with other people - people who can play a ballad, rock, jazz. I was looking for more co-op type things than what I had been doing, which had been completely my own trip.
The fact I wasn't getting off made me realize that I really had to take a hard look at it and at the type of music that I played, which ranges from ballads to country type stuff to rock and rhythm 'n' blues. It takes in a wider spectrum.
If the spirit comes through in a Madame George type of song, that's what the spirit says. You have very little to do with it. You're like an instrument for what's coming through.
I have some intellectual-type pursuits, like studying philosophy and stuff like that.
[Jean-Paul] Sartre was a throwback to the existential period. I'm not really so much into that these days. I went through a period of going over things and looking at them again to see what they were. But I'm into psychiatry type things. I'm into philosophy. I'm into that sort of thing.
It's not that big a mystery about types. It's not even that big a mystery why so many people are picking up on things now. It's like we were talking about the primitive thing before and all that. Nothing has really changed much. The things that have changed are like we're on the noon now. There are more buildings now. But we're still basically two monkeys sitting here.
The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head.
Joyous Sound evolved from a gospel influence. Actually it evolved out of sitting at a piano and just picking out a riff, a gospel type riff. It just seemed to come joyously-something about the song, about living in another place of joyous sounds. I'm not quite sure-that's one I'm trying to analyze. It just came out.
I think if you look at Hollywood as a whole and the type of content that they put out over the years, it's pretty homogeneous, right? They haven't done a really deep dive into a lot of stories of people of color. I don't want to say that there haven't been attempts, and there has been some great product that has come out over the years, but I think in 2016, we're in a world of struggle. It's not just about race, it's also about the LGBT community too and others.
Sometimes I say stuff to relate to people. It just really depends, because you don't have to be one type of artist and talk about one thing.
I definitely think about the types of girls that I think would like a certain thing, but at the end of the day it's the most pure expression of myself, let's say, what I'm doing and what I want to create.
Any type of commercialization or, like I said, watering that idea down would be so damaging and frankly, be pretty uninspiring to me, because the fact that every piece is like my dream thing that I just can't get enough of and am just so excited to wear, is just the whole point of it.
I think that when you have any folks in our population who live under the threat of violence, who live under the threat of crime, who don't have the opportunity that others have because the schools in our urban areas are a dreaded failure, because of the positions that Hillary Clinton has taken and the people who support her, that I think any candidate should speak out to say that that type of thing is unacceptable.
The message [of Donald Trump] is that that type of thing happening. Let's focus on what happened.What happened was the murder, the murder of this person pushing a stroller, it's unacceptable in an American city to continue to have this level of violence and the level of violence in Chicago is unacceptable.
This type of discourse in the campaign is just unwarranted. But it was started by Ms.[Hillary] Clinton. Ms. Clinton has started the idea of calling Donald Trump those types of names [bigot].
The fact is that, once you are the person - and Ms.[Hillary] Clinton is the person who injected this type of commentary [bigot] into this race [2016] - once you inject that type of commentary into this race, you can't then sit back and start complaining about it or have some of your handmaidens in the media complain about it.
The fact is that [Hillary Clinton] has been the person who started this type of conversation in the campaign. She should be ashamed of herself.
I think they [Hillary and Bill Clinton] have been - they have shown over and over again that they're willing to be transparent and that they have gone beyond the letter of the law, to show that they're trying to make sure there are bright red, green, purple lines that will separate them from any type of conflict.
I was certainly a child of the '60s, and I came out of that era, and as a young actor, I got cast as a lot of counterculture hippie types.
For me, the only type of guilty pleasure fun that I have in terms of my career is I act once in awhile. And I don't have any responsibility.
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