His father's made us paint half this town and if we stick around any longer he'll make us paint the rest of it." -Jonah Griggs
Between now and when we graduate next year there are at least ten weeks' holiday and five random public holidays. There's email and if you manage to get down to the town, there's text messaging and mobile phone calls. If not, the five minutes you get to speak to me on your communal phone is better than nothing. There are the chess nerds who want to invite you to our school for the chess comp next March and there's this town in the middle, planned by Walter Burley Griffin, where we can meet up and protest against our government's refusal to sign the Kyoto treaty." -Jonah Griggs
Things will be different this time," Caine said. "There was too much contention, too much violence the last time. I tried to be a peaceful leader. But thing went badly." "I wonder why," Diana muttered. "These people," Caine said grandly, sweeping his arm towards the town, "need more than a leader. They need...a king.
That should be your town motto. It's all I ever hear. Like: New Hampshire, Live Free or Die. It should be: Despair, You Need To Leave Now.
How would you take care of it?” I asked. He shrugged. “I know some ghouls. I make a couple calls, the guys come over for dinner, problem solved.” “They can put away nine whole giants? There’s that many ghouls in town?” “Probably not,” Leif admitted. “But whatever they do not eat tonight, they’ll take the rest to go.” I stared at him in disbelief. “You mean like a doggie bag?” The vampire nodded with a thin trace of a smile. “They have a refrigerated truck, Atticus. These are practical guys.
Oh, I wish I lived in a caravan!’ said Jimmy longingly. ‘How lovely it must be to live in a house that has wheels and can go away down the lanes and through the towns, and stand still in fields at night!
Why aren't crazy people content to take over, like, one town? It always has to be the whole word. They can't just control maybe twenty people. The have to control everyone. The can't just be stinking rich. The can't just do genetic experiments on a couple unlucky few. They have to put something in the water. In the air. To get everyone. I was tired of all of it.
And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.
I’m a monster,” said the shadow of the Marquess suddenly. “Everyone says so.” The Minotaur glanced up at her. “So are we all, dear,” said the Minotaur kindly. “The thing to decide is what kind of monster to be. The kind who builds towns or the kind who breaks them.
There are all these people here I don't know by sight or by name. And we pass alongside each other and don't have any connection. And they don't know me and I don't know them. And now I'm leaving town and there are all these people I will never know.
If you weren’t there, how do you know someone pushed her?” Sergeant Kenn asked. “Well …,” said Jared. “And what were you doing, running through a strange town at night?” “I was jogging?” Jared offered. “Without your shirt or your shoes?” “Uh,” said Jared.
The Lynburns built this town on their blood and bones." "That was their first mistake," Jared said. "They should've built a city on rock and roll.
It sometimes happens that the town child is more alive to the fresh beauty of the country than a child who is country born. My brother and I were born in London...but our descent, our interest and our joy were in the north country'. Quoted in The Tale of Beatrix Potter a Biography by Margaret Lane, First Edition p 32-33
It was the kind of town that made you feel like Humphrey Bogart: you came in on a bumpy little plane, and, for some mysterious reason, got a private room with a balcony overlooking the town and the harbor; then you sat there and drank until something happened.
I am a little man and this is a little town, but there must be a spark in little men that can burst into flame.
What is it about maps? I could look at them all day, earnestly studying the names of towns and villages I have never heard of and will never visit.
But you know what they say about Gutshot: the population never goes up and never goes down, because every time a woman gets pregnant, a man leaves town.
Great. First the anonymous call. Now letters. Body parts all over town. It was like a scavenger hunt for psychos. Running after clues with a half-deranged, serial-killer-obsessed, recovering-addict cop was not a good idea. Then again...
...trees to cool the towns in the boiling summer, trees to hold back the winter winds. There were so many things a tree could do: add color, provide shade, drop fruit, or become a children's playground, a whole sky universe to climb and hang from; an architecture of food and pleasure, that was a tree. But most of all the trees would distill an icy air for the lungs, and a gentle rustling for the ear when you lay nights in your snowy bed and were gentled to sleep by the sound.
It is impossible that a town will not play a part in your life, it does not even make much difference whether you have more good or bad things to say of it, it draws your mind to it, by a mental law of gravitation.
It wasn't until a year later, when a young woman with Danish pastries on either side of her head knelt down in front of a walking dustbin to record an important message, that love truly came to town." - p 16 [re: Princess Leia]
This story never really had a point. It’s just a lull - a skip in the record. We are addresses in ghost towns. We are old wishes that never came true. We are hand grenades (and every word you say pulls the pin). We are all gods, we are all monsters.
The whole town’s talking about the way Jax Stone sat in your hospital room and snag to you until you came out of your coma. Then he apparently wouldn’t leave you alone for a minute. The boy sounds hooked.
It is a sad hardship and slavery to people who live in towns, that in their movements they know of one dimension only; they walk along the line as if they were led on a string. The transition from the line to the plane into the two dimensions, when you wander across a field or through a wood, is a splendid liberation to the slaves, like the French Revolution. But in the air you are taken into the full freedom of the three dimensions; after long ages of exile and dreams the homesick heart throws itself into the arms of space.
You know how gossip is. It's the toxic waste of small town
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