I think the wildest wildlife you can find these days is in Chernobyl, where wolves are running around breeding quite well in the nuclear disaster zones.
The space program caused so much future-thinking in culture. People who couldn't go to the Moon were building space-fantasy chairs and corsets and hairdos and anything that they could put their hands on.
I don't think I've ever bench-pressed anything in my life. Until about two years ago I swam a mile almost every day. Then I stopped and I lost a lot of weight because my appetite was less. I'm not skinny now - I'm spindly. I eat an extremely simple diet - mostly salmon, avocado, feta cheese, chicken, eggs, peanut butter, blueberries, and quinoa.
I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.
I don't really think in terms of the future of literature. I think literature will be around "forever" - but in a relatively niche way, like jazz and poetry, although probably more widely consumed than jazz and poetry since it's fundamentally a narrative form. And I think that's important and places like Word Riot and 'The New York Tyrant' and 'n+1' will be responsible for keeping it alive.
In terms of my inspirations to become an artist, I think they come from early ideas and impressions about community, and the type of community I wanted to be in, and the type of thinking I wanted to do.
Most people who think they can't live up to the great painters of the past, often times have a group of people they think they're better than.
I think that I'm going to be including a lot of anonymous female artists in what I look at and incorporate. Most textiles are created by women. Generally, most stuff that's not in the canon is created by women.
I think a lot of male artists should and probably are thinking in the same ways. The culture has moved in a more democratic, pluralistic direction. You now find a lot of people who are looking outside of the mainstream of the history of art for their mentors. Maybe not heroes, but mentors.
Even when I haven't had money, I found money to travel. It's a luxury that's a kind of necessity, I think.
I get told I'm a confessional songwriter, which gets on my tits because I think of negative connotations attached to the word "confessional". I don't like the idea of songwriting being therapy. I don't want to put myself so directly in the foreground.
Free will is the thing you have to have if you're going to be responsible in this all-or-nothing way. That's what I mean by free will. That's what I think we haven't got and can't have.
Yeah, most guys don't like to think about going to a bar with a girlfriend and watching her leave with someone else.
I'm very jealous of an era where people were inventing something so beautiful as the Concorde and thinking that's the next step. I'm jealous of an era when people thought, "Let's finally go to the Moon."
Despondency is not a state of humility; on the contrary, it is the vexation and despair of a cowardly pride--nothing is worse; whether we stumble or whether we fall, we must only think of rising again and going on in our course.
I leave the governor's office next week, and with it public life[which] has been on the whole a pleasant one. But for ten years and over my salaries have not equalled my expenses, and there has been a feeling of responsibility, a lack of independence, and a necessary neglect of my family and personal interests and comfort, which make the prospect of a change comfortable to think of.
It is said there is no happiness, and no love to be compared to that which is felt for the first time. Most persons erroneously think so; but love like other arts requires experience, and terror and ignorance, on its first approach, prevent our feeling it as strongly as at a later period.
An image is a bridge between evoked emotion and conscious knowledge; words are the cables that hold up the bridge. Images are more direct, more immediate than words, and closer to the unconscious. Picture language precedes thinking in words; the metaphorical mind precedes analytical consciousness.
He who prides himself on giving what he thinks the public wants is often creating a fictitious demand for low standards which he will then satisfy.
Love plans for tomorrow and loneliness thinks of yesterday.
Most men have a sunny spot to which they look back in their existence, as most have an impossible future, to attain which all their energies are exerted, and their resources employed. The difference between these visionary scenes is this, that they think a good deal of the latter, but talk a good deal of the former.
Most people think that intelligence is about brain, where really it's about focus. Genius is just attention to a subject until it becomes specific, specific, specific.
The reason you want every single thing that you want, is because you think you will feel really good when you get there. But, if you don't feel really good on your way to there, you can't get there. You have to be satisfied with what-is while you're reaching for more.
I do not think a revival of business will be greatly postponed by [Samuel J.] Tilden's election. Business prosperity does not, inmy judgment, depend on government so much as men commonly think.
Men do not believe in the power of education. We do not think we can speak to divine sentiments in man, and we do not try. We renounce all high aims.
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