My record producer [David Kahne] said the major record labels these days are like dinosaurs sitting around discussing the asteroid. They know it's going to hit. They don't know when, they don't know where it's coming from. But it's sort of hit already. With iTunes, and all of that.
I'm becoming too honest for my own good these days.
These days - with the decline of the traditional churches - I'm concerned about where we obtain some form of moral direction.
I'm a little older and fatter now, and I'm not exercising as much. My lifestyle these days involves a lot of beer and pasta. But there's something satisfying in letting your body go to hell. So maybe I won't get offered the same kind of role as before. So what? I'm happy to play the guy in his mid-30s who may be a little unhealthy. "Fat and arrogant" is what I'm bringing to the script.
If you give people an idea these days, they just think you are sharing it with them so they can critique it, play devil's advocate, and so on. It doesn't occur to them that they might help or get enthused or at least have the courtesy to get out of your way.
Don't worry about finding your bliss right now. Not even our President knew what his bliss was, nor did I. One of these days to your own surprise, your bliss will find you. But no matter what you do, participate, be there, full force, full heart, full steam ahead.
I don't know how you make a record on liberal and conservative these days. We've had a conservative Republican Congress, so to speak, and a conservative president, and we've run up one of the most astounding deficits in the history of our nation.
You know hearts these days are cheap.
In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.
These days that wouldn't happen - waiting for the light to be exactly right. Because it takes time and time is money. And with these big productions with expensive actors, you just don't have the time to get every shot exactly right.
I know texture is really important, but I think texture and stuff precedes songwriting a lot of the time these days.
I'm not careful with my money at all these days. I buy people a lot of dinners!
Growing up in the 80's, I think a lot of us saw things that were "new," an experience we don't get too much of these days. We saw things that were never done before. When Star Wars first came out, no movie before that had ever looked that way.
Now that I no longer feel lonely, and now that my own past feels resolved in a whole new and very deep way, I am excited to write about the real world, to stay in it. Fiction is an escape, a parallel life, and it was a powerful source of comfort for me when my own life was raw and uncomfortable. I don't feel the burning need to disappear into a fictional character these days.
It seems to me that some releases these days are so collab heavy to the point the artist seems like a guest on their own album and then fans look out more for the collabs than the stand alone tracks from the artist.
Before I had published anything, I still hung out with people who liked to write. None of us had published, so there was no talk about the business, and there was probably a lot more angsty talk back then. But these days maybe there are some more laments about the culture, but I would say no.
I feel like, these days there's so much music and so many bands, that it's exciting to hear when people go through the whole process with their own sort of system of making the music. It gives it a much more personal individual feel, like unique feel, when somebody has a really idiosyncratic set-up, or they just have what might be considered strange ways of going about the process that yields results that are not just cookie-cutter sounds like everything else... and I think that can only be a positive thing.
What's better these days, television or film? It's a dead heat. In fact, one could argue for television with more regularity.
I start with voice, maybe a sentence. That sentence might embody an image, and I go from there. One sentence to the next. Sound drives the work these days - sound before description.
That's his definition of mercy. This is the year of the Mercy Jubilee of the pope. I know that he's against abortion, but he talks about Christ's emphasis on mercy instead of his emphasis on judgment. He talks about the lack of Christian charity and the pride that are afloat in our world these days in terms of making moral judgments on other people. That's really it for Willie. He's really a missionary.
The mystery of the artist is something that the 70's made, but it's not the same these days, and I don't know... to me, I feel like letting your fans know about you is awesome.
Fans these days seem to almost expect a response from band-members any time they tweet or leave a comment etc.
I've always written at night - my working day for years was around 9pm to 2am - though I do keep more regular hours these days.
Orwell is almost our litmus test. Some of his satirical writing looks like reality these days. When you have someone like Cheney who talks about "endless war" or war that might last fifty years, he could be Big Brother. You have Bush incessantly going on about the evil ones.
British establishment uses "the royal we," as in, "We think this." You hear a lot of that these days. It erroneously suggests that those who are making the decisions to bomb countries, to devastate economies, to take part in acts of international piracy involve all of us.
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