Like many nonconformist and beat generation writers, William S. Burroughs takes the outcasts of society as his theme.
Every lecture should state one main point and repeat it over and over, like a theme with variations. An audience is like a herd of cows, moving slowly in the direction they are being driven towards. If we make one point, we have a good chance that the audience will take the right direction; if we make several points, then the cows will scatter all over the field. The audience will lose interest and everyone will go back to the thoughts they interrupted in order to come to our lecture.
I carry my thoughts about with me for a long time... before writing them down... once I have grasped a theme. I shall not forget it even years later. I change many things, discard others, and try again and again until I am satisfied; then, in my head... [the work] rises, it grows, I hear and see the image n front of me from every angle... and only the labor of writing it down remains... I turn my ideas into tones that resound, roar, and rage until at last they stand before me in the form of notes.
It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you’ve got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.
Both God's love and God's wrath are ratcheted up in the move from the old covenant to the new, from the Old Testament to the New. These themes barrel along through redemptive history, unresolved, until they come to a resounding climax - in the cross.
We chose the most interesting image available to us to illustrate the theme of the cover, which is what we always try to do. We apply the same test to photographs of any public figure, male or female: does the image convey what we are saying? That is a gender-neutral standard.
The New Testament picks up from the Old the theme that God intends, in the end, to put the whole creation to rights.
Feminist art... will take the great human themes – love, death, heroism, suffering, history itself – and render them fully human.
Well I didn't actually see the Matrix but I've seen other movies where with similar sorts of themes.
The whole underlying theme for the new music... is to communicate honest, human values, and in doing that to try to improve the quality of life.
It's not necessarily a church theme and it's not really about church. I like my album themes to be metaphors because it gives me the freedom to speak about something else that's going on in my life, so the Born Sinner thing is not about church, it's not even about religion. It's using that as canvas to get other messages across and that's what the album will be.
Everyone is looking for connections between the songs. I don't usually approach a record as a concept. There's no overriding theme I'm trying to represent. It's all about the individual songs.
I see some recurring themes: things that feel threaded together, some symbolic references, and songs about some of the big questions, like death. There are a lot of references to weather, too!
Fishing provides time to think, and reason not to. If you have the virtue of patience, an hour or two of casting alone is plenty of time to review all you’ve learned about the grand themes of life.
As women politicians, we talk about the most difficult themes of state security, foreign relations and development models, then ask, 'How do you make it work with your husband?' The interesting thing is that these women - most of them - don't lose the perspective that the focus is not the position but the job at hand.
It's such a biblical posture in worship that speaks of reverence. If you look through the Bible, there's a whole host of people who faced up to the glory of God and found themselves facedown in worship. So the album weaves through a theme of reverence, wonder, and mystery in worship, things I feel we really need to grasp more of in our worship expressions. I know that I do!
Journey through the Power of the Rainbow represents a condensed compendium of literary efforts from a life dedicated to transforming the themes of injustice, grief, and despair that we all encounter during some unavoidable point of our existence into a sustainable life-affirming poetics of passionate creativity, empowered spiritual vision, and inspired commitment.
After a while, a surprising theme emerged. The single most important thing you can do for your family may be the simplest of all: Develop a strong family narrative.
This theme of bigness — all painters and sculptors have dealt with it ever since.
Paleontologist Niles Eldredge, a prominent evolutionist, said: 'The doubt that has infiltrated the previous, smugly confident certitude of evolutionary biology’s last twenty years has inflamed passions.' He spoke of the 'lack of total agreement even within the warring camps,' and added, 'things really are in an uproar these days . . . Sometimes it seems as though there are as many variations on each [evolutionary] theme as there are individual biologists.'
I think the themes in my songs are very similar from the first album to the newest one. It's all about the human condition and how we are all trying to learn to live with each other and survive love and life.
The great themes of Canadian history are as follows: Keeping the Americans out, keeping the French in, and trying to get the Natives to somehow disappear.
Worship is the grand theme of the Bible.
The President, the Administration and the campaign need a theme. I am concerned that the President is seen as a tactician without an overall strategy of his plan for the country.
One of my theme songs is that if you can't do it in a test tube, don't do it.
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