When AI approximates Machine Intelligence, then many online and computer-run RPGs will move towards actual RPG activity. Nonetheless, that will not replace the experience of 'being there,' any more than seeing a theatrical motion picture can replace the stage play.
I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.
Sundance claimed to be "rebellious" on all of their programs, but they are not. Most of the movies at Sundance were multi-million dollar pictures that were already guaranteed a theatrical release.
I needed someone really intense, but also somebody with a lot of theatrical credibility.
One of the things I like to do is people's hearts are on their sleeve, whether it's a good or a bad heart. And I think that's one of the things living in a world with Powers would do: it's too theatrical not to express yourself constantly. It would change them socially and sexually, everything would be altered because of superheroes.
There will always be a theatrical experience because there will always be cinemas no matter what. It's like there will always be theaters to have stage plays in.
Amazon, being a provider - not just on the playing field - is, of course, opening up a whole new set of possibilities. At the same time, Amazon also understands platforms. For them, theatrical is an extremely important event. I also believe it's the best way of seeing a movie.
Movie theaters barely make any money. A movie can make a couple of thousand dollars, or could get lucky and make ten or fifteen thousand dollars, but theatrical releases don't really sustain the work. For me, it's the best sort of advertisement for anything else you'd want to do.
Even if it's a "talking head documentary" about a social movement or something along those lines, I've always thought of editing the timing and the sense of the piece for the theatrical experience.
One of the things I've been talking about with my critical writing and my own work is that these movies are seen differently in a theatrical space. It's very important to me. I edit films to be seen theatrically, like fiction material I've worked on like Listen Up Phillip or other documentaries.
I liked being on stage, I just didn't like the theatrical aspect of being in front of people.
I learned how to be more theatrical and have more fun, and to take a song and sing it over and over again in different ways, and make it different each time. I'm not just singing the song - it's this thing that's affecting me.
Small spaces allow me the intimacy, but make it more of a challenge for the more theatrical pieces.
There's nothing that compares to watching that final of Charles Mee’s 'The Glory of the World' play at BAM17 to 20 minute sequence in one sitting. It fills you with a giddy energy watching that. Then, being gifted with the silence that follows...I've never had a theatrical experience like that before, I'm sure.
I come from a little bit of a theatrical background. I started that way. I don't have a tremendous body of work or anything, but I went to drama school. And so, to get to do a piece where the characters get to talk a lot, and that isn't just about the spectacle or the set piece, or is simply visual or movement based. It was really wonderful for me, and juicy and exciting.
There was a time when I said, "I'm going to go do a television thing," after doing all these theatrical films, and heard, "Television? Why are you going to go back to television?" It's an interesting place.
I'm fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
It always surprises me when I see the director's versions of films released separately, long after the film's theatrical run.
It's too theatrical not to express yourself constantly.
It is up to the public to stop attending these theatrical, and aquatic shows, and circuses with wild animals. The rhetoric about how the animals are happy and well cared for are lies. Don't be swayed by them. The money behind these shows is huge; there is nothing good about them.
The word "theatrical" makes me cringe, because it suggests a performance is staged, put on, rehearsed. And while all this is true for an opera, I believe the act of singing and performing should always be honest, raw, guttural.
Acknowledging the realities of structural and institutional racism is hard for conscionable white people. It might ask them to consider how they're personally implicated, or have gained from systems that have oppressed and rejected others. It might require them to take a next step. It's easier to say, "I don't see race," or to dismiss the Black Lives Matter movement as structureless and theatrical than to embrace and promote its most basic premise, which is to believe that black lives have worth.
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.
When someone says to me, do you do stand-up I say absolutely not. I like to think of it as a theatrical performance. With me the show changes maybe five to ten percent every night. Of course, whatever I see in front of me and sometimes I get on a little run about it and it changes the show. And my delivery is such that people who have seen me many times say Gee, I never heard that before. Actually, they have, but I might have changed it around.
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