At the end of the day, there's probably nothing that makes me feel better than junk food and reality TV.
At the end of the day, flirting is a pretty universal language. Americans are more direct. British people are more indirect about everything
Control what you can control. Don't lose sleep worrying about things that you don't have control over because, at the end of the day, you still won't have any control over them.
At the end of the day, a "jump scare" scares the audience for the moment. Slow burn horror ideas scare people forever.
What you realize is it's not about financial success as an artist. A lot of actors and actresses, producers, writers, and the creative people in the business realize that. It's not about that. Yeah, we all want to be successful, but we all just want to create and we want to tell the stories. We want to continue creating the opportunities to be able to continue doing what we love. So, at the end of the day, I feel like it's a win-win for everybody to be able to make these independent films.
When you're going to try and have people talk in a room and actually reflect life as we know it and have people recognize themselves and their own street and their own house in it, well then you're aiming for the high country and it's a much bigger gamble. You can interview all the marketing gurus and the people in charge of, you know, the people you gotta fight with in order to get your seats here, and they all talk about release dates and counterprogramming. At the end of the day, it's gotta be a good movie.
It's okay not to be perfect. Your imperfections are what make you YOU. And at the end of the day, people like real people, flaws and all. At least I do.
Once you lose attachment to how you want things to be because you realize you don't control anything, there's a curiously liberating aspect of that. I've always been a control freak, I've always felt that if I try hard enough, everyone I love will be kept safe and everything will be okay. Being shown, in such brutal terms, that that's simply not the way it works, in someways, it messed me up. I've been through hell, but on another level, if you pile up so much tragedy, it either destroys you, or you just start laughing about it. Because at the end of the day, no one gets out alive.
At the end of the day nobody's perfect and everybody's weird whether they embrace it or not
I think it's really important to love yourself. Because I feel like a lot of the time, especially right now, I've noticed that insecurity is something that's so common that it's not glorified but like romanticized. And it shouldn't be because at the end of the day you have to live with yourself and be happy with who you are. If not, then you're not going to be a happy individual and whatever people say will get to you. So you have to know who you are and like it that way.
In a dispassionate comparison of the relative values of human and robotic spaceflight, the only surviving motivation for continuing human spaceflight is the ideology of adventure. But only a tiny number of Earth's six billion inhabitants are direct participants. For the rest of us, the adventure is vicarious and akin to that of watching a science fiction movie. At the end of the day, I ask myself whether the huge national commitment of technical talent to human spaceflight and the ever-present potential for the loss of precious human life are really justifiable.
One year, I'd completely lost my bearings trying to follow potty training instruction from a psychiatric expert. I was stuck on step on, which stated without an atom of irony: "Before you begin, remove all stubbornness from the child." . . . I knew it only could have been written by someone whose suit coat was still spotless at the end of the day, not someone who had any hands-on experience with an actual two-year-old.
one of my earliest joys as a parent lay in knowing that at the end of the day I had once again ushered three babies back to their beds, against the odds, unscathed and peaceful. Happiness was a houseful of safe, inert bodies. Actually, it still is.
What I've learned is that at the end of the day, we are all human. We all have that in common.
At the end of the day, tech workers are not robots: they feel, they think, they have values.
I've learned that by returning my calls between 11:00 a.m. and noon and 4:00 and 5:00 p.m. I can keep them short and to the point because people are either hungry and starting to think about lunch or they are trying to gear down at the end of the day.
At the end of the day, you cant have a vision; you have to have a hope. This is where the miracle comes in.
I think, at the end of the day, if youre a good actor, then youre a good actor.
At the end of the day you have to go home to yourself. You have to be with yourself. So make sure what you're doing in business is representative of who you are and that you feel comfortable and that you can stand behind your work.
I really wish Hollywood would stop labeling movies, especially movies with predominantly black casts. Then, it makes others feel like, "Oh, well, that's not for me." At the end of the day, everybody understands love, loss, pain and heartbreak. That's not a color.
I do think that it is no surprise that, economically, America is in trouble. There's been a lot of trouble out there. More and more women have found themselves doing phone sex and things like that, to help pay bills, so that they could be two-income households. They can do these short-term jobs and still pick up their kids at school, at the end of the day, and drop them off in the morning. I find it fascinating. I'm not one to judge the people in that situation, nor would I really want to.
I'm making entertainment, but I'm making art. This is my art. Hopefully, it's profitable, hopefully it makes money, but at the end of the day I want it to be remembered for its artistic value as well as its entertainment value.
I feel satisfaction at the end of the day when I've written a scene that I really like or when I write a good line of dialogue that I read out to my wife or something like that. But there's also days where it's just bloody agony and I go, 'ugh, this is such crap! Why did I think I had any talent?
I'm capable offstage of having some dark, twisted thoughts but the kind of things I like to do onstage are just more conceptual and I don't even think of them as being clean. I don't sit down and think, "Man, I'm going to come up with some lily-white comedy!" They're just things that I like to talk about, and then at the end of the day you think, "Well, I guess that was clean" but it's not the focus.
If you try to control it too much, the book is dead. You have to let it fall apart quite early on and let it start doing its own thing. And that takes nerve, not to panic that the book you were going to write is not the book you will have at the end of the day.
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