I wish I had been less keen to inject my own opinions, but I was a teenager and your teenage self is generally an idiot compared to the adult you. That's the way it should be. If it's the other way around, you have a problem.
Often, I think that my brothers were the reason I didn't do something really stupid in my teenage years; I didn't want to disappoint them. Even though was I was pretty committed to disappointing everybody else.
Through the process of specifically writing this memoir, there was so much reckoning that I had to do. It was very difficult. It doesn't erase anything that happened, but I think that it was healthy for me to do it. The teenage self-loathing that I suffered from all of a sudden found itself turned into rapids with my grief after my brother died. I turned it inwards. In the same way that my mom processes her grief and her problems. This project, as a memoir, has helped me funnel it outwards.
You condition a vulnerable boy at puberty to become aroused by brutality. It's the violence, not the nudity. Frankly, I wouldn't mind if every teenage boy had a subscription to Playboy. They'd be looking at attractive naked female bodies while they masturbated, not eviscerated female bodies.
I have teenage boys and I think teenage boys require a father to have eyeballs on them at all times.
The teenage pregnancy is such a tragic thing. It is such a sad and tragic thing because the children who have children do it because they think they are going to be loved. They are going to be loved, but they have to give love to be loved otherwise the child becomes depressed. Isolated and depressed. In other words apathetic.
My mother's a staunch feminist, so I grew up with very strong feminist messages. As a result, I battled her in my teenage years because my image of being a man was a deformed one.
Being a teenage model was lot of fun, like playing dress-up. I'd feel ugly and awkward and chubby, and they'd transform me. Not that that makes everything better. Then my mom shopped the pictures around, I guess, and the agencies started calling. I wound up going with a little agency, Spectrum. It all happened really quickly, I started modeling for magazines like YM and Seventeen, and I did a couple of bigger things like Italian Vogue.
I think that because most films where there's a teenager, it's aimed at a teenage audience. Restless is - I wouldn't classify it as a teen film, strictly, but it's definitely a film that appeals to young people, but also gives them credit for their complexity.
As long as there are teenage girls, there will be boy bands. It's a question of how long it takes them to get their music together to come out.
I think fashion can have a very negative impact on young people who feel they have to be thin. I am not part of that trend. There is so much pressure on teenage girls.
I was lucky enough to date my first love for five years. We had a very romantic, very dramatic teenage love affair. And it has impacted me because I have married a man who is simply the grownup version of my first love. So, I believe my first love was just preparing me for the man I'm married to today. And it has also impacted the way I write, because there will always be a love story in every movie I write. Always! I think having a positive first love experience before the heartbreak made me a more confident in who I am, a more confident female today.
I think I gravitate towards characters who are slight outsiders. It's fun to play a character that wants so badly to be included in the normal activities of teenage life, but lacks the literal hardware to do it.
Storytelling is very important. It is through context and relations that we understand the importance of human dignity. The concept means nothing as an abstraction. It's important for us to understand why people do the things they do, including the monsters - the suicide bomber and the war criminal. Understanding is not acceptance. Understanding is exploring the human psyche. If we want to put an end to violence, we need to have the sort of conversation I had with the teenage suicide bomber.
I tried to take advantage of the fact that I was not used to making a movie. Movies are still so new to me so I had to use my fascination, and the fact that I'm almost a teenage filmmaker, to my advantage. And that's why I don't pretend to have made a good movie... but one that people are able to feel the love I have for this industry.
There is that doll dress-up quality of adorable teenage girl writer, and I never felt either as adorable as I was supposed to be, or as dark as the rumors, you know, "She must have slept with the editor," and I was like, "Oh my god, I'm still a virgin." It was very strange.
Someone asked me the other day, "Oh your story is like Cameron Crowe's, he has the same thing of having been a teenage journalist," but he was a guy and you just add gender into the mix, it's a 16-year-old girl with adults and rock stars, and it's tough.
I suppose the marine biology was a post-teen thing. I was kind of on my way but I was one of those teenage boys who got to 13, 14 and had no idea what I was going to do. I liked natural history. I liked the outdoors. And I found the sea quite interesting.
The teenage years are years of great chaos and confusion in your lives, but also a time of seeking a deeper meaning.
I love family. In this movie [Everybody Loves Somebody], my character is a successful OB-GYN and yet she goes back to her teenage years when she's with her parents. Like, that's me.
"Moksha" is really a satire of myself. I've always been interested in Eastern spirituality. I'm particularly interested in enlightenment and the spiritual pursuit to liberate ourselves (I'm a Buddhist at heart). During my teenage years, I imagined I'd end up going to India to become a yogi; study with the last living saints in a cave; give up all my worldly possessions; learn to levitate. And there's still part of me that can see myself "disappearing" for some years at an ashram somewhere.
I do not think it is appropriate for teenage boys and girls to share the same bathroom.
I was very much a mess, as a person. I'd come from a very turbulent teenage life, with parents who had broken up in a very bad way, and a lot of illness at school.
My teenage children watched Senator Clinton on the Today Show, mouths agape. They attended our local caucus with me and saw hundreds of our friends and neighbors gathered in the elementary school gym on that Sunday afternoon, despite an ugly Maine snowstorm. They listened to the thoughtful searching debates and saw us cast our votes. How could anyone suggest we didn't know exactly what we were doing? 'What's the point of electing someone who doesn't believe in the American people?' they asked. 'If she wants to ignore us now when she's only a candidate, what will she do as the President?'
The boarded-up homes, the decaying storefronts, the aging church rolls, kids from unknown families who swaggered down the streets - loud congregations of teenage boys, teenage girls feeding potato chips to crying toddlers, the discarded wrappers tumbling down the block - all of it whispered painful truths.
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