When the Chinese suspect someone of being a potential troublemaker, they always resort to one of two methods: they crush him, or they hoist him on a pedestal.
In these times of stress, snark, division and despair, I still suspect that two of the most important features we possess are imagination and a capacity for goodness. Those are qualities for which we will be remembered most fondly.
The idea that writing about characters of another race requires a passage through a critical gauntlet, which involves apology and self-examination of an almost punitive nature, as though the act of writing race was somehow morally suspect, is a dangerous one. This approach appears culturally sensitive, but often it reveals a failure of nerve. I believe the demand that we ought to reveals a species of fascism within the left - an embrace of political correctness with its required silences, which has left people afraid to offend or take a stand.
Journalism has not only its social stimulations but its aesthetic virtues. An invitation into print, from however suspect a source, is an opportunity to make something beautiful, to discover within oneself a treasure that would otherwise have remained buried.
I had been afraid of breast cancer, as I suspect most women are, from the time I hit adolescence. At that age, when our emerging sexuality is our central preoccupation, the idea of disfigurement of a breast is particularly horrifying.
Someday I suspect, when Jesus has definitely got me for a sunbeam, my works may be adequately assessed.
Washington is a place where people have always been suspect of style and overt sexuality. Too much preening signals that you're not up late studying cap-and-trade agreements.
I suspect that any worthwhile exploration of these deep questions about living requires going beyond abstract discussions to the vivid presentation of possibilities. If readers are to be prompted to serious examination of their lives, anatomy isn't enough. We have to be stimulated to imagine, in some detail, what it would be like to live in particular ways.
I used to suspect that in the brain, time is its own representation. I now think the problem is so much more complicated. Initially I was rather impressed by the experiments showing that on complex problems, subjects who are distracted do better in getting an answer than either those who answer immediately or those who spend time reflecting on the problem.
What I didn't realize when I was in school and what I suspect a lot of young writers today don't get either is that you have to create the world that you want to exist in as an artist.
The harpsichord was actually ideologically considered a very questionable instrument in that period, much like I think it's ideologically considered suspect today in some circles.
There's a religious basis to their [Bush and Chaney] kind of conservatism. It's rooted in a kind of fundamentalism. I'm afraid of that. I don't like that idea. I think all extremism is suspect.
Basically, I've reached the point where I've lost any direct relationship to any of the editors I used to have. I suspect I'll have to pay to publish this myself, and I think a lot about about putting out fifty copies. I used to think about hogwash like my legacy and silly things like that. But I feel like if I never have another book out, I've done okay, I've had like twelve or thirteen little books, and I won't be upset about this on my death bed.
If you think it's worth writing a book about then that means you suspect that you're not the only one. You suspect that it has something to do with the larger patterns of your culture.
There's a certain pressure you put on yourself to use the comics page to full advantage that can focus your mind to a pinpoint, and when the juices are flowing, that's incredibly exciting. When you've managed to fit a complex set of actions or a complicated emotional passage into a single page there's the sense of satisfaction that I suspect a sculptor gets from chipping away at a piece of stone and ending up with a fully-realized work of art.
I had ancestors who were slave-holders, which is a difficult piece of family history to say the least. In a recent New York Times article on the subject of modern attitudes toward our slave-holding past, the writer noted that we all want to be from "innocent origins." I _know_ I'm not. Then again, I suspect most of us are not.
Does God judge us by appearances? I Suspect that He does.
Time and time again throughout the latter part of the Cold War, liberals chose a morally perverse pose. They would seek to find any suspect motive or impure act on the part of the United States rather than confront the staggering scale of destruction and misery being wrought by our adversaries.
When [my father] asked me to help him, I really didn't suspect the consequences.
The higher the moral tone, the more suspect the speaker.
I saw no African people in the printed and illustrated Sunday school lessons. I began to suspect at this early age that someone had distorted the image of my people. My long search for the true history of African people the world over began.
The only thing I might have noticed [and this is pretty anecdotal] is that there is some tendency to need to be taught that 'writing is rewriting' - maybe more of a sense than was pervasive 10 years ago that the first or second pass of a story is sufficient. That is an idea that is easily dislodged, but I suspect it might have something to do with the turnaround time re: blogging and so on - this sense that there is some essential truth about a first draft that one runs the risk of "ruining" by coming back to it.
I know playwrights who like to kid themselves into saying that their characters are so well formed that they just take over. They determine the structure of the play. By which is meant, I suspect, only that the unconscious mind has done its work so thoroughly that the play just has to be filtered through the conscious mind. But there's work to be done - and discovery to be made.
I suspect that the theme, the nature of the characters, and the method of getting from the beginning of the play to the end is already established in the unconscious.
Regular panelists on shows can be terrifying. They own that space, and many guest comics suspect they are favoured in the edit, while their own hilarious jokes end up being ejected into the ether.
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