Sundance is weird. The movies are weird - you actually have to think about them when you watch them.
I have vision and the rest of the world wears bifocals.
Sundance was started as a mechanism for the discovery of new voices and new talent.
You know, when I was a kid, I always thought Id grow up to be a hero.
Kid - the next time I say, 'Let's go someplace like Bolivia,' let's go someplace like Bolivia.
Small price to pay for beauty.
It feels kind of good to be [on Sundance]. There is a sense of unification and community and voices rising together, and that all feels good.
What's great about the Sundance Film Festival is the festival takes over that town as it's intended to do. But, it's very focused on a lot of other filmmakers and distributors so it almost feels like, while they're a lot of so-called civilians there, it's an opportunity that you have to see, to show your stuff to the other folks, your peers really, and to get that reaction.
Never give up. I do believe it is harder for female directors. I have been lucky to receive support from the Sundance Institute for my first film. I'm eternally grateful for their support. I think you need to be surrounded artistically and follow your intuition - always follow your intuition.
There's a lot of hyperventilation that takes off before the [Sundance Film] Festival, a lot of buzz. Every year we hear, this is going to be the new this, this is going to be the new that, and it never is. The buzz just doesn't mean anything. I'm glad it doesn't. Because I think the festival shows that what succeeds is content.
I just really feel so grateful to Sundance because I've always been an artist and I've never been able to make a living at being an artist until Sundance.
I'll just say it: I love Sundance; my very first film won Sundance.
I always wanted to go to Sundance.
Sundance felt like a natural fit. I love coming here, and I do think that this festival suits my films rather than most of the festivals I've been to. I'm not going to Cannes, you know.
I'm not really a Sundance baby, but they helped me so much I feel I have to acknowledge it.
Sundance is a really special place. They're very protective of movies, especially lower-budget movies.
Doing anything on a movie at Sundance is great.
I think what Robert Redford established is amazing; thank god for Robert Redford. He's set an amazing example with Sundance and I hope to follow that in my own way.
I met Evan Rachel Wood, James Woods, Kevin Bacon at Sundance. Steve Buscemi is pretty laid-back. I met Judy Greer in Vegas, and she was cool.
By the time you arrive at Sundance as a filmmaker, you've been living with your film intimiately, and scrutinized every frame, and probably aren't happy with - or at least I'm never happy with it - and you've seen it in the roughest of states, and you lose perspective, really.
Directors typically have three choices - you do a studio movie and get a paycheck up front, you do an independent movie, which is for your heart and you don't get paid up front and probably don't make any money on it, but it hopefully goes to Sundance and is more of an art movie, and then you do TV.
I've heard a lot of variation of similar questions, but it's interesting to see the variations of audiences and how different people respond, so I think it's all valid. I don't take it personally at this point, which I probably would have at Sundance. But it's really thrilling.
It 2001 when we started. But prior to that, I had made this website called sundancepics.com, where me and this other photographer, Randall Michelson, could sell our images from Sundance online and it was successful. Steve Granitz, who's my main partner at WireImage, we were already working together, and I was like, "Look dude, this is it. We can do this."
David Michôd changed my life, quite literally, along with the chaps at Sony Pictures Classics. That's what set me on my way. I thought we did good work and had a good film, but when it was so praised at Sundance that year that's what really started the ball rolling. We all paid our own way to Sundance.
There's a film there in competition [of Sundance Film Festival] called To The Bone. It's directed by Marti Noxon. I have a supporting role in it. It got really well received. It's a really great film.
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