The thing about photography is, some people surround themselves with extremely strong subject matter. And unless you're a moron, you're going to get a really strong photograph.
I admire photographers who can take much more ordinarily subject matter and make it transcend that ordinariness, so that it becomes something else fresh and new. It opens this doorway. I really admire people who can do that with photography.
I do tend to look at my books in many ways as conceptual fiction, even to the point where I think the author's photograph is part of the package. And I have gone out of my way to select the photograph to connect to the subject matter of each book.
As much as I love performing, nothing juices me up creatively like being in my own studio for an extended period. Songs, ideas, even paintings are pouring out of me. My inspiration and usual subject matter: life.
How do you find a way to say what an extraordinary experience it is to be alive in this world? That is the kind of subject matter I try to work with.
I'm fascinated by offensive subject matter. Always have been. It is very natural to me, as any teach I've ever had growing up could attest.
I think a lot of times, artists and albums can become formulaic. You're known for a certain thing, and you continue to do that. You just change the subject matter, but it's the same song. And that's what you do.
I would never stop watching film. The reason why I say I like the old ones is I like the subject matter better. I thought they had more variety to them, they had more romantic comedies and things that appealed to me more.
All I want to do, is write rock and roll that you could listen to as you got older, and it wouldn't lose anything; it would be timeless, in the subject matter and the literacy of the lyrics.
The secret for an artist is to make that a subject and not bang your head against the wall and give up. But to turn it into and treat the new subject matter, which is one's own vanishing.
One always starts work with the subject, no matter how tenuous it is, and one constructs an artificial structure by which one can trap the reality of the subject-matter that one has started from.
Everybody enjoys arguing about the current state of music because it feels as if you are talking about something incredibly important, yet it requires little understanding of the subject matter at hand. It's like world politics meets the pink questions in Trivial Pursuit. Points are made but nothing gets accomplished.
Experience, in short, is not a combination of mind and world, subject and object, method and subject matter, but is a single continuous interaction of a great diversity (literally countless in number) of energies.
Theology differs from science in many respects, because of its different subject matter, a personal God who cannot be put to the test in the way that the impersonal physical world can be subjected to experimental enquiry. Yet science and theology have this in common, that each can be, and should be defended as being investigations of what is, the search for increasing verisimilitude in our understanding of reality.
You have to keep yourself busy, you have to like the subject matter. If you do it for other causes, other reasons, it doesn't hold you for a long time. There's no other way but struggling, forging ahead to do the film.
How can you make informed decisions ... ? The key seems to be to gather experts who are knowledgeable and passionate about the subject matter, and have them cooperatively discuss a series of questions designed to explore the limits of technical feasibility. They must strive to reach the best decision rather than to persuade each other.
Well, I think there was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financiers feel that the woman has the skills to make the film.
I think that the good thing about working smaller and being a smaller company that doesn't have to make as much to make money back is that you don't have to worry about, well, critics like this and they'll tell people to buy it, but millions of people might say, 'Oh, well I'm not interested in that subject matter' and we're sunk.
I just think it's a great world to tell stories in, to tell cool stories: money, sex, fame, and scandal. Those are great subject matters to work with.
Well, the first thing I do is I try to listen to whatever rapping is already on the track. I listen for cadence and melody to see how the track's already been written, and to make sure that whatever flow or flows I decide to run with, or patterns or melodies that I decide to put into the song, that they're not already in there. Then I try to see if there's a different part of the subject matter that I can talk about.
Every essay - the subject matter of every essay - is ultimately about the essayist; him or herself. That ultimately, every essayist is writing about his or her view of the world.
I was playing heavy metal when I was 18. I had to evolve out of that into an alternative consciousness about what it meant to change the way I played guitar, and the kind of songs, and the subject matter, and singing about child abuse, and all this stuff. I had to come from somewhere, and I had to take chances to do that.
The difference is in Hostel it's in the theatre - it's in public but it's in a private place. You have to actively make a choice to want to go see it. It's not being forced on anyone. Whereas 24 you can be flipping channels and it's right there in your living room. Anyone has access to that. But that just shows how mainstream it is and how people are seeing this stuff on YouTube. People are scared of it. This is a subject matter that everyone's talking about and everyone's thinking about, particularly in American culture.
It cannot be too strongly asserted that the insistence on blind, unreasoning faith is due mainly to the maintenance of a subject-matter upon which there was no knowledge, namely the 'other world'; and that this basis was assumed because of early man's preoccupation with death. It is, unfortunately, quite possible to believe a thing which is contradicted by facts, especially if the facts are not generally known; but if the whole position on which we rested our religions had been visibly opposed by what we did know, even the unthinking masses would, in time, have noticed it.
The sciences which take socio-historical reality as their subject matter are seeking, more intensively than ever before, their systematic relations to one another and to their foundation.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: