Art comes from life, not from the studio
I like the idea of having a calm, quiet room to work on my [art] while knowing that outside there's noise and a lot happening. It's reassuring to know the 'everyday' continues even though inside the studio you feel so disconnected from it.
We recorded Star Climbing over a three-year period between our studios, working on songs and lyrics until we felt like we had found the albums direction. It is our most distinctive album to date, combining all our different tastes and styles into one.
That's usually what happens with AC/DC: you make an album, and then you're on the road flat out. And the only time you ever get near a studio is generally after you've done a year of touring.
One of my earliest memories involves sitting on my dad’s lap in his studio in the garage of our house and watching him draw. I remember thinking: ‘I want to do that, too,’ and I pretty much decided then and there at age 2½ or 3 that I was an artist just like Dad.
You read a lot about movies with budgets of $25 to 30 million. Hell, if a studio can piss away that kind of money, why not let 'em piss on me?
I have scars on my hands from touching certain people...Certain heads, certain colours and textures of human hair leave permanent marks on me. Other things, too. Charlotte once ran away from me, outside the studio, and I grabbed her dress to stop her, to keep her near me. A yellow cotton dress I loved because it was too long for her. I still have a lemon-yellow mark on the palm of my right hand. Oh God, if I'm anything by a clinical name, I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.
If I was an artist, and I was in the studio, then whatever I was doing in the studio must be art.
When I go into the studio, I'm strictly for business... I don't like any fooling around in the studio.
Off to the STUDIO in my new whip.
You’ll find that the movie business is paid for by those mega movies. The movie business is paid for by Big Macs. By movies as product. Movie studios use that term “product” all the time. Product? You mean you have a lot of stories? No, we have a lot of product. You have stories.
If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
The word ‘studio’ is derives from ‘study’. Our object is not to know the answers before we do the work. It’s to know them after we do it.
Now is the chance for me to let go and release some new Nephilim tracks which have been constrained to the studio for some time. Trying to concentrate the work and thoughts down to a simple single objective is always a difficult practice but that's the nature of the beast... easy to find the beginning but always hard to reach the end
I tend to play better in the studio, no pressures, just sheer volume and alcohol.
I see more and more that my work goes infinitely better when I am properly fed, and the paints are there, and the studio and all that... I wish I could manage to make you really understand that when you give money to artists, you are yourself doing an artist's work, and that I only want my pictures to be of such a quality that you will not be too dissatisfied with your work.
When I have trouble writing, I step outside my studio into the garden and pull weeds until my mind clears--I find weeding to be the best therapy there is for writer's block.
It's not about what it looks like in the studio or on the runway. It's what it looks like on a real person that matters.
I go to the studio everyday because one day I may go and the Angel will be there. What if I don't go and the Angel comes?
I can be an artist a posteriori, not a priori. If my pictures tell the story, our story, human story, then in a hundred years, then they can be considered an art reference, but now they are not made as art. I'm a journalist. My life's on the road, my studio is the planet.
To me, there is nothing better than me going into the studio with a live band and hearing those violins and that echo and that sound. I mean I loved it.
There was this billy goat at a movie studio who found and ate a can of film. When a nanny asked him how he liked it, he said, "It was all right but I liked the book better."
I always prefer to work in the studio. It isolates people from their environment
I don't like recording studios - except my own, which is just a little room above the garage.
The writing gets done away from the keyboard and away from the studio in my head, in solitude. And then I come in and hopefully have something, then I wrestle with sounds and picture all day long. But the ideas usually come from a more obscure place, like a conversation with a director, a still somebody shows you, or whatever.
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