I am a storyteller and a researcher, and I'm sorry the world has a hard time straddling the tension of those two things, but that's who I am.
The truth is, I'm a storyteller. And it scares me, because my training as an academic is that the more accessible you are and the more human you are, the less smart you are. It's a shame trigger for me to be honest.
I'm a filmmaker, I'm a storyteller, an entertainer, if you will, so what can I do to participate? Well, I'm not a scientist; I'm not an expert on environmental law; I'm a guy that can tell stories. So I always look for a way to communicate ideas and help to spread excitement for change.
Then I tell my own story. The two things that people really need to transform is language to understand their experience and to know they're not alone. It's the combination of the researcher-storyteller part.
The Art of Elysium is a program I've volunteered with for close to ten years, and I work with Unicef and Young Storytellers. My passion is really working with children since they are the future.
The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'
True buoyant leaders can never communicate in percentage points, or charts and figures. First and foremost, they must be storytellers, communicating with their hearts, not heads.
What I've learned in the last few years is that I am merely a storyteller.
I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter.
I just always liked the company. The people who hung around her were amazing storytellers, whether it was actors or crew. They were just exciting people. And I knew that they were different when I would go see a friend or stay at someone else's house. It just wasn't as cool. So I always loved the theater, and that's where I started: at a theater up in Canada.
Gypsy [Rose Lee ] was a masterful storyteller, and her memoir and by extension, the musical weren't only Gypsy's monument; they were also her chance for monumental revisionism.
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
"Are you a storyteller, Thomas Covenant?" Absently he replied, "I was, once." "And you gave it up? Ah, that is as sad a tale in three words as any you might have told me. But a life without a tale is like a sea without salt. How do you live?" "I live." "Another?" Foamfollower returned. "In two words, a story sadder than the first. Say no more - with one word you will make me weep."
Never trust a storyteller," he says. "We're all of us liars.
If you've seen my books through the years, I've always been a storyteller.
We dropped our troubles into the lap of the storyteller, and they turned into someone else's.
I had been a storyteller by instinct all my life. I was that boring little kid who made the rest of his friends sit around the campfire and listen to his ghost stories. It's been very much a part of my makeup.
I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.
It was very important to me to choose a director like Gary [Ross], whose instincts come from character, who's a storyteller, and who puts characters first.
The basic skill of an actor is, in fact, empathy, and that's maybe not a skill, it's a disposition. I am an assistant storyteller. I enjoy feeling useful to a team effort. It's my way of finding a use for myself, a utility in this world.
For a while, the genre seemed to be just about sex and crime. Rappers are storytellers; the stories don't need to be true!
I believe that all brands will become storytellers, editors and publishers, all stores will become magazines, and all media companies will become stores. There will be too many of all of them. The strongest ones, the ones who offer the best customer experience, will survive.
I don't want to infantilize the actor; I want to empower the actor. Actors can be many things, but all of the really good ones are really great storytellers, and I'm interested in that. If you're not interested in that as a director then you better be Stanley Kurbrick.
A good storyteller can hold everybody captive without the special effects of Hollywood.
Actors can be many things - vain, venal, self-serving, obnoxious, bullies - but all of the good ones are great storytellers. I wanted to watch what my actors were doing and how they were telling the story.
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