That so much of our experience, or the stereotype which passes for it should be dealt with by means of the short story is perhaps a symptom not unnoticeable elsewhere in the public domain of an unlovely cynicism about human character.
I think we start suffering as soon as we come out of the womb. I think that people tend to stereotype. When they think of suffering, they think of abuse - physical abuse, emotional abuse, poverty, that kind of thing. There's different levels of suffering. I don't think that it has to do with how much money you have - if you were raised in the ghetto or the Hamptons. For me it's more about perception: self-perception and how you perceive the world.
The point of the first one was that it was about guys being lured by sex and the stereotypes... I always say it's like a horror version of Borat. Borat's not an accurate depiction of Khazakstan, it's an accurate depiction of America. That's what Hostel is.
I think that young women and little girls need to see that they don't have to be the damsel in distress. They don't have to not show their strength. They don't have to be whatever the stereotype is or the tropes that we go to in our minds.
I want people to leave the theater with a greater understanding of the rich cultural heritage of Pakistan. "Song of Lahore" moves beyond headlines and stereotypes and shows that a vast majority of Pakistanis are not perpetrators of religious violence - they are victims of it. The beautiful cultural heritage of the region belies its image in the West as monolithically religious, intolerant, and violent.
It's been our experience that any time a Muslim community anywhere seeks to expand or establish a mosque or some other kind of institution, there will be some type of opposition, when you scratch the surface, often there is a tremendous level of bigotry and stereotyping in the opposition.
I simply can't understand the stereotyping women as film makers who make soppy family dramas. Look at Katherine Bigelow: she has directed Point Break and Strange Days. I hate labels of any kind. Just because you are a woman you can't do this or that? Twenty years ago women entering the work force was enough of a shock. People just like the predictable; they feel safe with it. You know, it's such a bore
One of the problems with the media covering this place is that there are stereotypes of news, one of which is "war rages" and the other is "peace dawns." And there isn't much in between. When I talk to foreign journalists, often they are gritting their teeth because they've been asked for a piece about how shops are reopening and restaurants are reopening and so forth - happy pieces. And it just ain't so.
If you admit to being racist, it says you acknowledge that you are being driven by projections and stereotypes that were formed in the creation of our country. Racism is deeply rooted in America.
As an Asian American, I'm aware of how stereotypes can be very destructive. We've been defined by the drag queens. And yes, they exist. But we've been defined as irresponsible, flamboyant, loud, and garish. I think what we need to do - and what we haven't done as aggressively as we should have - is to depict the vast diversity of the GLBT community.
I like to blow up stereotypes, like taking the icons of metal, the epitome of male testosterone and showing them as regular people.
I was just trying to fit in to the stereotype American dream, exactly what my parents and everyone expected of me, i met someone who's -- who's awesome, you know, we got along good.
My goal is to be myself, and to challenge stereotypes, and to follow the rules, and break them, and make new rules. It's not about doing something that's already been done. That would be silly.
I have a tendency to think that that stereotype of American movies and Hollywood movies doesn't exist. Of course you have the studios that have a very hard policy upon their artists, but then I haven't really been doing any real Hollywood movie yet.
I really appreciate crafts. I like cooking. I love food and drink. I love owning that through Instagram. Although that can be challenging at times because it doesn't fit people's stereotypes of a technical founder.
Blackness also has positive dimensions, those that bear the political meanings of African American people, among other blacks, who have struggled for self-determination and freedom for centuries. The absence of such an identity doesn't automatically guarantee that we will be free of the images and ideals that fuel stereotypes about black identity. Changing the name will not alter the reality.
By that point, I was about 12, 13 years old. I was this young black kid into rock music, which was kind of strange. People would always assume I'd be into like more modern R&B, which is a stereotype, but that was kind of what was expected. And I had all these guitar magazines of all these musicians that didn't look like me. So I assumed Jimmi Hendrix was one of those.
I'm from a Lebanese-American family. And I've been had lot of contacts and - with Arab-American community, especially Arab-American filmmakers and actors and so forth. It's a community that, a minority that really hasn't been heard from enough. And so many of the stories that are told about Arab-Americans these days are just negative portrayals in the news, but also in television and film. So we're - we set out to try and offset some of those stereotypes.
I never went in thinking, "You're an African-American woman, so you're never going to win." I was just in career doing beauty pageants for the experience, and to show my brains and talent and help break stereotypes. It wasn't like, "Oh, I'll become a star. I'm beautiful." I never thought I was pretty. I couldn't even put on eyelashes or makeup. When you come from an environment that's military, and they don't stress that topic of aesthetics or beauty pageants and makeup, there are a lot of things you just don't have that city girls have.
Sometimes the messages I put out are somewhat of that [street] nature, but the thing is, that's not the person, it's just like an actor or something. It's just like when Wesley Snipes is not [the character he played in] 'New Jack City,' but a lot of people get it twisted. They think, 'That's that guy. That's that dude. That's how he roll.' But man, that's definitely not how I roll. I believe in God. I'm a Christian... People always trying to stereotype people because of their job.
I'm optimistic, though. Now, with the Arab Spring, I think that people in the region are beginning to overturn some of these clichés, and Western editors are starting to catch up. We're seeing some exceptions to the stereotypes, like Elizabeth Rubin's great piecein Newsweek, "The Feminists in the Middle of Tahrir Square." But an article like that shouldn't be the exception. It should be the rule.
There is a feminist proverb I learned from my mother: The personal is political. There's a powerful literary stereotype that men write about war and politics and public life, while women confine themselves to family and food and personal life.
We apply the language that is comforting and comfortable and familiar in order to grasp that which confuses and scares us. That is the first step toward cliché and stereotype, as they're comforting devices. They reduce the confusing world to the already familiar. We're always smoothing out the bumps of actual living to turn it into narratable life.
Speaking specifically about the memoir, I know that's a criticism that people can have about my work. When I look at the young men's lives, if they're reduced to the worst thing they've done, then it's easy for them to become a stereotype. I keep running into that with newspaper articles that are very short.
Distinction between species and specimen is very much like the distinction between images and actual pictures, or, you know, objects that have a definite material identity. The classifications, the categories, the stereotypes, and the images are on one side, and the material pictures, statues, texts, and so forth are on the other.
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