Stanley didn't shy away from true humanity or from the ugliness that all people are capable of.
Thus, be it understood, to demonstrate a theorem, it is neither necessary nor even advantageous to know what it means. The geometer might be replaced by the "logic piano" imagined by Stanley Jevons; or, if you choose, a machine might be imagined where the assumptions were put in at one end, while the theorems came out at the other, like the legendary Chicago machine where the pigs go in alive and come out transformed into hams and sausages. No more than these machines need the mathematician know what he does.
I generally like very visually striking films. I love a lot of Stanley Kubrick's films. I would have to say 'Dr. Strangelove', which of course has got resonance in 'Watchmen'. It's a favorite movie of mine.
"Charge, Chester, charge! on, Stanley, on!" Were the last words of Marmion.
Look at great teams like Detroit a couple of years ago; they win the Stanley Cup and guys only score 25 goals, nobody has a really big season.
Early on, before rock 'n' roll, I listened to big band music - anything that came over the radio - and music played by bands in hotels that our parents could dance to. We had a big radio that looked like a jukebox, with a record player on the top. The radio/record player played 78rpm records. When we moved to that house, there was a record on there, with a red label. It was Bill Monroe, or maybe it was the Stanley Brothers. I'd never heard anything like that before. Ever. And it moved me away from all the conventional music that I was hearing.
I couldn't find any good pictures in magazines of ordinary modern street corners in America, so I persuaded this guy I knew in Sacramento - Stanley Something-or-other - to spend a day with me driving around just to take snapshots.
When you think of diversity, George Duke fits that bill better than a lot of people. He's played a lot of straight-ahead jazz with people like Nancy Wilson and Cannonball Adderley; he's played a lot of fusion with his own groups, with Stanley Clarke; and, you know, he did the rock thing with Frank Zappa. He's written all kinds of big arrangements for people like Burt Bacharach. So, he's covered the board. He's still a great pianist.
I try to make everything creative because it's stimulating. There is this great Stanley Kubrick quote somewhere about how life is sort of bad and how creating is important because it lets a little light in.
I like collaboration, I like to incorporate other people's ideas [and] that's what happens when you do a big movie. Unless you're called Stanley Kubrick and you do an independent movie for like $200 million.
I don't want to infantilize the actor; I want to empower the actor. Actors can be many things, but all of the really good ones are really great storytellers, and I'm interested in that. If you're not interested in that as a director then you better be Stanley Kurbrick.
What pitching is in a short series in baseball, goaltending is in the Stanley Cup playoffs.
When I was working with Stanley Kubrick [on "Eyes Wide Shut"], he would always say, "You never tell the audience what to feel. Let them choose to have their responses."
Stanley Kubrick is one of the geniuses of this century.
Lifting the Stanley Cup for the first time. There's nothing like it. It's the greatest story. In my era, they used to say you couldn't be a superstar without winning one. I remember thinking when I lifted it: "Now they can't say that about me."
You come in as this satellite part of the film [Catching Fire], so I only see Stanley [Tucci] in my scenes. These kinds of movies have so many different components; it's about as different from doing The Girl as you could imagine.
When I was in film school at USC, I wrote my thesis script about a woman on Wall Street - specifically a woman who used to work at Morgan Stanley, sort of based on her life. Through that process, I did some research.
I'm sure, out of the context here of Stanley Levison's relationship with the Jewish liberal forces, that had made contributions. I remember one such contribution before they moved from Montgomery. An associate in the real estate business with Stanley had lost a son in the war, and she wanted to do something in memory of him. So, she made available certain monies to be used by the emerging leadership there in Montgomery. I'm sure other individuals did.
This In Friendship - out of it came certain connections with the liberal labor establishment. Among the personalities that were involved were Bayard Rustin and a person from the American Jewish Congress, Stanley Levinson.
At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer...I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood.
Most influential of all is the philosopher Stanley Cavell, and a younger generation of philosophers who have attempted to follow his pioneering work in thinking about literature philosophically.
In the '80s, I loved the movies of the '70s. Also I remember loving Klute [1971]. I loved Jane Fonda. Actually, I auditioned for the last movie she made before she retired for a while, Stanley and Iris [1990], which Martha Plimpton got.
I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".
In terms of fiction, there are a number of writers who are thinking about the future of the environment whose work complements mine. Kim Stanley Robinson's novel 2312 is a great example, as is Tobias Buckell's novel Arctic Rising.
My only goal is to win the Stanley Cup and do what I have to to win that.
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