I think we have arrived at the stage where we are making it too complicated. I know guys who can't play two rounds before running to their teachers.
It takes six years to make a golfer: three to learn the game, then another three to unlearn all you have learned in the first three years. You might be a golfer when you arrive at that stage, but more likely you are just starting.
It's easier to direct. If you direct something poorly and re-shoot it the next day, stage it better, make it work better, you have a lot of possibilities. You can edit it in certain ways so that it works, but there's no getting around weaknesses of the script.
I never think about actual things when I'm painting. I'm not thinking, "I'm going to put a person here, a tree here and a bird there." The beginning stage is always the sound. From that, slowly, stories come about based on what I'm reading or thinking at the time, but if I didn't have that sound I don't know what I would do.
I've always sung in the shower. Now I make the stage a mental shower in order not to get too uptight and enjoy it.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
There are couples who are very fearful of bringing children into the mix because they feel like somehow that link between them as a couple is going to somehow dissolve or become less powerful or whatever. And that somehow the child is going to disrupt their happy stage. Of course it is true, that's exactly what a child does but it's not something to be feared, it's to be embraced.
Magicians are the people who began to use film as an illusion on stage.
Normally, I do magic on the stage. But I can make magic credible and resonate through a TV screen.
You start out performing because it's fun, then you learn more things and you want to do more than go "Na-na-na-na" on a stage. The production end is interesting, writing is interesting, and you learn to coordinate all these things.
Any athlete or any actor who's preparing for a long time to step on a stage or step on a field or step on a movie set, who suffers an injury right before you're getting ready to perform or to execute - it is a massive challenge that's thrown your way that you didn't expect.
If I can muster up any allure in my life, at this stage, I wouldn't mind doing that.
I'm a Gemini, so there's two people in me. Straight up. There's the nerd who is totally zoned out in the studio, EQ-ing this kick drum, raising this snare one decibel, or swapping this high hat out for another. Then there's the other side who's a performer. I have to go out on stage and be electric, a fire cracker, just run around the stage and give a show.
I love everything about what we [Suicide Silence] do, and our life style. It's an insane way to live when you spend most of your time inside a plane, tour bus, or in a back stage. All over this massive place we call earth.
I was very dramatic as a kid. I loved to entertain. I was taking my bathing suits and painting them black and putting sparkles on them because I thought I was going to be on stage.
I heard my first laughter on stage, when I was about 10 years old. It was gold pantomime and I remember I was playing Baron Fitznoodle, who was the father of the ugly sisters in "Cinderella." And I walked on and got a great big laugh and I thought that was fantastic, until I looked down and found that my flies were open. And so I always check my flies. I even check my flies on radio.
When I met her she was Anna Mae. I was the one who turned her into Tina Turner. I had to tell her how to dress, how to walk and how to talk on stage. I told her how to stand and how to look, the whole thing, man, I mean from the wig down.
I have a funny sense of humor. If I was a comedian and I was up on stage, people would think that's funny, because I'm a funny comedian. I'm an entertainer.
I absolutely love what I do. And I want to dance for as long as I can and feel good about what I'm putting out there on the stage. But my goal has always been to be a principal dancer with ABT. Before I knew that there had never been a black woman, that was always my goal. I wanted to dance Odette-Odile and Kitri and "Don Quixote" and Aurora in "Sleeping Beauty." So that's still my goal. But knowing that it's never been done before, I think makes me fight even harder.
I try to be careful and put things in perspective. There are people who have challenging lives and work hard physically and mentally. I consider myself a lucky person because I get to go on stage and tell jokes for an hour. If I miss a connection here and there or my room isn't ready now and then? It's not a big deal.
I am at a stage in my life where I want to only do thing that I love. I only want to do things that make me happy. Making money is important, but it's not my ultimate driver.
When I go back to the stage, I want to be able to do everything. I want to be able to do music and comedy and all that stuff and have a show like nobody ever had before.
Books are surviving in this intense, fragmented, hyper-accelerated present, and my sense and hope is that things will slow down again and people will want more time for a contemplative life. There is no way people can keep up this pace. No one is happy. Two or three hours to read should not be an unattainable thing, although I hope we get to that stage without needing a corporate sponsored app to hold our hand. The utopian in me has my fingers crossed that we haven't quite figured out the digital future just yet. After all, the one thing we know about people: they always surprise.
Our whole evolution has reached a stage where nearly every man is either ruler or ruled; sometimes he is both. By this the attitude of dependence has been greatly strengthened, for a truly free man does not like to play the part of either the ruler or the ruled. He is, above all, concerned with making his inner values and personal powers effective in a way as to permit him to use his own judgment in all affairs and to be independent in action.
When I perform, I lose myself. I'm in total control of that stage. I don't think about anything. I know what I want to do from the moment I step out there and I love every minute of it.
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