Most frontmen are not born hams like David Lee Roth. We're more like Joey Ramone: awkward geeks who somehow find our place in the world on the stage.
I understand and sympathize with the reasonable needs of a reasonable number of people on a finite continent. All life depends upon other life. But what is happening today, in North America, is not rational use but irrational massacre. Man the Pest, multiplied to the swarming stage, is attacking the remaining forests like a plague of locusts on a field of grain.
I'm always happy to blow up any misconceptions that people have about stage school cos everyone thinks it's really nasty there but it's not.
When you are thrown onto the stage at 17 in such an enormous way, it becomes living on the edge because every step you take, every word you speak, every action you do becomes headline news. And it became, for me, life or death.
All the world's indeed a stage And we are merely players Performers and portrayers Each another's audience outside the gilded cage
Once you get on stage, everything is right. I feel the most beautiful, complete, fulfilled. I think that's why, in the case of noncompromising career women, parts of our personal lives don't work out. One person can't give you the feeling that thousands of people give you.
Speaking of stage freight. I was terrified! It was in NOLA at an all ages show. I was wearing Jeans, a Van Halen t-shirt, and a bandana on my neck. Once I gripped that microphone stand, I did not let go! I plugged my microphone into a guitar FX pedal. Then at the end of the a Black Sabbath song we were covering, I hit the guitar pedal. It was horrific!
Twerking is not feminism. Thats what I’m referring to. It’s not — it’s not liberating, it’s not empowering. It’s a sexual thing that you’re doing on a stage; it doesn’t empower you. That’s my feeling about it.
I can take any empty space and call it a bare stage.
People think I am the crazy person on stage, but I know how to relax.
On stage, I think I'm 35. Working takes over my whole body and I become a younger man - that's why I won't stop.
My biggest regret is that my mother didn't see me walk on to that London Palladium stage, being the star she always wanted me to be. But I always say that when she reached Heaven, she had a word with a few agents.
I know that every time I step on the stage it's a real gift ,so I try not to take it for granted, and I try to make it an experience that the public can really participate in.
Surgery for early stage non-small cell lung cancer is standard treatment and is likely curative. Yet, fewer blacks than whites undergo surgery for the disease, leading to a higher mortality rate among blacks with lung cancer.
I'm a filmmaker, but my working procedures are different. All my basic structuring is done during the filming. You know, how long I keep the shot, the exposure or the speed - slower or faster, etc. That's structuring. And then there is a second stage of structuring that comes later when I begin to put those pieces together.
No matter what difficulty you are facing, it is coming from Divine Light to bring you to a higher place within. Write down every conceivable reason that this situation can contribute towards your growth. Write down every way this experience can possibly set the stage for serving to uplift others. When you are complete, and have come to the other side of this experience, you will then know 'why' it happened.
A book is actually a place, a place where we, as adults, still have the chance to engage in active imagining, translating word to image, connecting these images to memories, dreams, and larger ideas. Television, film, even the stage play, have already been imagined for us, but the book, in whatever form we choose to interact with it, forces us to complete it.
Kids are starting at such a low base rate in terms of fitness that it's taking them years to catch up to where people like me started from. Every little bit is making it more difficult for kids to succeed on a world stage.
Then I went through a big Peggy Lee stage, then I became Annie Ross, then Judy Collins.
The love we most cherish will, of necessity, bring us pain. Because that love is like the setting of a body with broken bones. But I want to stage the setting. I want to direct all scenes.
I've tried every kind of bottled water, but Poland Spring is my go-to. I always have room-temperature bottles of it on side of stage for post-performance.
I’ve carved the puppet, and I manipulate the strings, but while it’s on stage, the show belongs to the puppet.
In choosing where to live or vacation, we may be setting the stage for the play of ourselves, treating nature as prop.
You see for me, America is an idea. It is a stage for transformation. I felt when I came to Iowa City from Calcutta that suddenly I could be a new person . . . What America offers me is romanticism and hope . . . Suddenly, I found myself in a country where
I was four when I started modeling. My mom was very much an off-the-stage mom who knew nothing about the business. She married my stepdad when I was about four, and he had been an actor. Because I was a really smiley kid and could read, which is something they're always looking for, she just decided to give it a shot.
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