You can't manufacture inspiration, so a lot of it is still a waiting game for me. There's still a lot of mystery to songwriting. I don't have a method that I can go back to - they either come or they don't.
I might lie a lot but never in my lyrics.
All is fair in love and songwriting.
The rule of songwriting: say what you want to say, say it again, say it a different way, then say it again.
There's a lot of personal stuff that can go into songwriting but there's also a lot of dramatization and fictionalization. You have to do that to make a good song.
My songs are basically my diaries. Some of my best songwriting has come out of time when I've been going through a personal nightmare.
Food is music to the body, music is food to the heart.
Songwriters write songs, but they really belong to the listener.
I sit down to the piano regularly at nine-o'clock in the morning and Mesdames les Muses have learned to be on time for that rendezvous.
With songwriting I spend a lot of time living life, accruing all these experiences, journaling, and then by the time I get to the studio I'm teeming with the drive to write.
What is it that makes you want to write songs? In a way you want to stretch yourself into other people’s hearts. You want to plant yourself there, or at least get a resonance, where other people become a bigger instrument than the one you’re playing. It becomes almost an obsession to touch other people. To write a song that is remembered and taken to heart is a connection, a touching of bases. A thread that runs through all of us. A stab to the heart. Sometimes I think songwriting is about tightening the heartstrings as much as possible without bringing on a heart attack.
I've gone through the village of my songwriting and my artistry, and I've gone through lots of different phases, including one where it has been very quiet and abandoned me for a few years.
Songwriting's a weird game.
Being so honest in my writing is cathartic.
The downside of videos is that it will put my vision in front of other people, so they might not get the chance to create their own.
I don't think you get to good writing unless you expose yourself and your feelings. Deep songs don't come from the surface; they come from the deep down. The poetry and the songs that you are suppose to write, I believe are in your heart.
There's two or three kids out there trying to make good music, and the rest of them sound like it's been strained through some kind of white toast or something. It all sounds just too neat and perfect, with no surprise to it at all. No story, no nothing. It's like building cars, like an assembly line. It doesn't sound like anything that came from a guitar.
I sit down with a guitar player and if there's a situation I feel strongly about, or a guy that I've been thinking about or if I'm mad at a guy, it comes out.
Some people try to get very philosophical and cerebral about what they're trying to say with jazz. You don't need any prologues, you just play. If you have something to say of any worth then people will listen to you.
If after two weeks you still can't write your middle-eight, the best course of action is to see a psychiatrist
Sinclair Lewis was asked one time to give a talk to class of students about writing. When he got there he asked the class, Do you people want to be writers?and they all said yes. Then Lewis said, Why the hell aren't you at home writing?
What happens is, especially when I was writing for my band, Creedence, and it's the way I write now, I go into "guitar lick" mode. When I do, it sort of leads into a real song. I'd say to myself, your songwriting is coming up with a guitar lick, and the rest is easy!
Wonderful songwriting, beautiful production, and deeply rooted in what makes American Roots Music great: Deep Southern Pain. It's the hurt that brings the songs, and it's the songs that heal the hurt. Jonathan's songs bring us there, and back. Check this record out, it's a good 'un.
Put your faith in God and confidence in yourself.
A lot of the great songwriters in history have been collaborators, with a separate lyricist.
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