For the poets, my hope is that they will, quite simply, feel the obligation to be really informed about the situation in which we find ourselves, in terms of our imperiled planet. You should inform yourself so deeply that it becomes part of your nature, part of your voice.
In the short stories - if I can make a very lumpy contrast - in the short stories I feel like the lives of the people have a kind of prior desperation and a prior need and my longing is for the story and their lives to somehow come together, even if not finally or forever, to face something; and it felt like a lot of the time with the essays I was wading into situations where there was an assumption of finality of understanding, and I felt like I could wade into any understood moment and tear it apart and make it fall apart.
If I performed poorly, I knew the eyes of the sports world would be turned away from me. In that situation I knew the NCAA would crush me for sure. But if I could run well, they would not dare to hit me with everyone looking in my direction. I HAD to have a good race.
You try to tap into a memory and you close your eyes and it comes back. So I was doing this in the painting and then that became a practice of mine. Sometimes it was a cathartic situation, a way to meditate.
If America puts the enmity aside, if it initiates good will, and if it compensates for the past, the future situation between the United States and Iran will change.
If the people of the United States come to Iran and see its ancient history and nature of Iran, and the people of Iran go to the United States to see America, this can shorten the walls of mistrust and improve the situation for the future.
I am a defensive tackle that no matter the situation, even if it is in nickel, I can go in there and rush the passer. And I can help the team out on first and second, too. I will get pressure.
Isn't art about breaking rules, about challenging existing systems, isn't it about discovering meaning in things or situations before others see anything in them??
Eventually I went back to high school. I went to a coaching center in my neighborhood. I had to leave the homeless situation because it was so bad and I knew that I was falling deeper and deeper.
Men need to be strong, but not bullies. They need to know how to not get emotionally lost in situations, but not be cold and emotionless. They need to know the full variety of emotions as well as thinking and acting. Not just the most limited ways of doing things.
Doing meditation you may need to experiment to discover what kinds of thoughts are best for your own unique interests and situation. For you it might be a repetitive "mantra," or simply an open state of watching your breath, like in the Buddhist tradition.
Dealing with our negative emotions is a crucial preparatory step to taking effective action. You have to grapple with the hard stuff, with the hard realities of the world. This builds your confidence that you can handle those intense situations when they arise.
All the battles and wars I been through, and all the battle scars I got it's been a learning experience. Everything I been through made me the man I am so if it was different I would be different so I would say that I really learned something from every situation.
I just think you've created an industry now, where you create the situation where very much you've created an incentive for people not just to look forward to having more abortions but being able to sell that fetal tissue for purposes - these centers - for purposes of making a profit off of it, as you've seen in some of these Planned Parenthood affiliates.
Sometimes I get drunk and I get into arguments with taxi drivers. And I get out the cab and I slam the door. That's not the way to win an argument with a taxi driver. The way to win is you get out of the cab and you leave the door open. And then he has to step out and come around and close that door. And while he's doing that, I'm on the other side opening the other doors-and we just go around and around and around, and I got my own Benny Hill situation going on in life.
We grow by letting the customer tell us. So when the customer tells us that they're frustrated, that they just got their catalogue and we're already out of a product they wanted, then it tells me that we're not making enough. We let the customer tell us instead of creating an artificial demand for our products. Any time you're making products that people don't need, you're at the mercy of the economy, you're at the mercy of whatever is going on. So we tried to avoid that situation.
Yes, I am optimistic about the environment. If you assume business is exerting the most negative influence on the environment and also has the possibility to impact it positively, there are a bunch of forces that are impacting business that are fundamentally different from the situation 3 or 4 years ago.
If a book has a predictable storyline or familiar situations, there's little satisfaction for me in writing it. A woman deciding which man she'll spend her life with? I've read that story a million times, but a stepmother deciding which of her children she'll save in a freak accident? Now that's a challenge.
To me good storytelling is about journeys. It's about people's journeys, people's discoveries and how they deal with those discoveries; circumstances that put people in different situations.
But one thing is certain: the commandments have not changed. Let there be no mistake about that. Right is still right. Wrong is still wrong, no matter how cleverly cloaked in respectability or political correctness. We believe in chastity before marriage and fidelity ever after. That standard is an absolute standard of truth. It is neither subject to public opinion polls nor dependent upon situation or circumstance. There is no need to debate it or other gospel standards.
One reason for the decline in moral values is that the world has invented a new, constantly changing and undependable standard of moral conduct referred to as "situational ethics." Now, individuals define good and evil as being adjustable according to each situation; this is in direct contrast to the proclaimed God-given absolute standard: "Thou shalt not!"-as in "Thou shalt not steal".
When faced with a situation, the confidence you stand up to that situation with usually pushes the other person to back down because the guy that is trying to start the fight doesn't really want to fight. He just wants a scene.
I believe artists should be able to step into other people's situations, contexts and cultures and work from there. If artists don't have that freedom, then, as someone has said, are we all writing our autobiographies?
I'm sort of religious, actually. God can be interpreted many ways, I think. If others were more open-minded about what god can be, instead of just calling it god and saying it works this way or that way, we'd all be in a better situation and a better place.
I'm not involved in any Philadelphia-related game or situation. When people claim I'm going to have a "vendetta" against every other Eastern Conference team I don't understand the logic: I'm not the one doling out the punishment.
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