We think about sitting in a space and hearing some music by having our ears pointed forward towards the musicians sitting opposite us. I'm really not following that paradigm at all.
I'm thinking of the audience as being ambient, meaning not sitting focused but being in the space and exploring it while listening to the players.
I'm just sitting around thinking about turkey.
I was sitting at home one day and I got a call that Riccardo Tisci was considering me for the face of the Givenchy Spring/Summer 2014 campaign, and I said, "Are you kidding?" and that was the end of the conversation. I'm a really big fan.
I had the opportunity, as a child, to grow up in a community center where I was exposed to theater, music, art, and computer science; things that I would have never had the opportunity to even meet had it not been for those people taking time out of their schedules, helping us as children to travel all over the world while sitting in a gymnasium. That's what I did before I was a musician, before I was a recording artist, I was a teacher and a community leader.
I had read [Charles] Dickens's novels were often published serially. I thought it would be fun to write a book, just sitting down and writing a chapter every day, not knowing what would happen next. So that's how I wrote the first draft. And then of course I had to go back and make sure everything worked and change things.
I believe in truth-telling. So let's call it what it is. It's very troubling to see people like Bannon who make anti-Semitic remarks, who has a very checkered past be sitting next to the president of the United States. It puts an absolute responsibility on all of us to call it the way we see it and not use expressions like "alt-right."
Things like science and technology still leave some gaps, so it's not as if everybody was sitting around doing nothing, but the bureaucracy and the whole structure of our culture is basically built out of men trying to be legitimate and making things up so they look important.
[The Democrats] are sitting there thinking they really won. They won the popular vote. "We're only talking about this election Kellyanne [Conway]. You don't have a mandate, you don't have a mandate."
The law of nature gives a man the right to defend himself when he's attacked. And God's law itself gives a man the right to defend himself when he's attacked.so, peaceful suffering and passive resistance and all of that stuff is all right maybe in India somewhere, where the people in India outnumber the whites - about a million to one.But here in America, when you tell that's like an elephant sitting down on a - on a mouse in India with [Mahatma] Gandhi.
In this country, these Negro leaders have Negroes sittin' - sitting down, thinking that that - there's dignity towards sitting in.
Today we have a modern Belshazzar and a modern Pharaoh sitting in Washington D.C.
You're going to have a racial explosion, and a racial explosion is more dangerous than an atomic explosion. It's going to explode because black people are dissatisfied; they're dissatisfied not only with the white man, but they're dissatisfied with these Negroes who have been sitting around here posing as leaders and spokesmen for black people and actually making the problem worse instead of making the problem better.
If you look at the lives of artists, sitting in nature, painting, having the freedom. I think it's over. I think we're living in such a difficult moment of human development. Artists have more responsibility than ever before.
I remember we [with Donald Trump] were sitting in a meeting and he walked in and he looked at me and he said - maybe five or six of us in there - and he said, "Are you the first woman to ever run a presidential campaign?" And so the guys in the room said, "First Republican woman." And I said - you know, I always think of Susan Estrich and Mary Kay and Donna Brazile, and respect them enormously; know one of them very well. And I said, "Well, I'm the first Republican one."
When I was discussing my role with other senior campaign folks, they would say, "I know you have four kids, but..." I said, "There's nothing that comes after the 'but' that makes any sense to me, so don't even try." Like, what is the "but"? But they'll eat Cheerios for the rest of life? Like, nobody will brush their teeth again until I get home? I mean, it just - what is the "but"? And I do politely mention to them that the question isn't, would you take the job? The male sitting across from me who's going to take a big job in the White House.
Sitting out of politics isn't really an option if you don't want things to slide.
Harry [ Hannigan] and Chris [Ellis] are sitting there while we're doing [ Fresh Hell], and Chris is directing, obviously, but if we start fooling around a little bit, Harry comes in, and he's got some addition that makes it even funnier. But we start with a complete script.
When I go to the old folks' home, I'm gonna be sitting in a rocking chair, telling everybody how I worked with Jack [Lemmon] and Walter [Matthau].
Of course, when you see [ musical numbers] in the movie [Out To Sea ], it's cut into a lot with other scenes, but we shot the number straight through, so here I am doing it, and sitting right in front of me in the audience was Donald O'Connor. And I was, like, "Oh, my God, I can't believe I'm performing a musical number in front of Donald O'Connor," who's one of the greats of the silver screen. But it was a thrilling experience, it really was.
Most of the writing that I do is a complete train of thought process. I'll just be walking down the street or sitting on the toilet or whatever and something will pop into my head and I'll record it on my phone and then over the next little while it'll develop a little more in my head.
It's not going to be sitting there producing The Apprentice. I can assure you of that. It's something that [Donald Trump] owns. It's a title he owns, but I'm telling you he's going to be 100 percent focused in the White House.
[Donald Trump] not going to be sitting in studio acting as the executive producer of The Apprentice. I think that's Mark Burnett and that's the way it's going to be.
You see that a lot in movies, and today you see it more in movies that are made, because I feel more movies are made towards groups than towards individuals, and they're made more for mass media than for sitting in a movie house allowing it to happen.
When Denzel [Washington] first called me on the phone after we'd just done a reading of the film ["Fences"]. He said, "Oh Viola it was so good, wasn't it?! I'm gonna tell Russell [Hornsby] to lose a little bit of weight and..." I was just sitting there thinking, why is he calling me? And I told him, "Denzel don't you tell me to lose weight!" He said, "I'm not telling you to lose weight! I can't believe you would say that."
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