SIREN, n. One of several musical prodigies famous for a vain attempt to dissuade Odysseus from a life on the ocean wave. Figuratively, any lady of splendid promise, dissembled purpose and disappointing performance.
The stage is more beholding to love than the life of man. For as to the stage, love is ever matter of comedies and now and then of tragedies; but in life it doth much mischief, sometimes like a Siren, sometimes like a Fury.
The purely Great Whose soul no siren passion could unsphere, Thou nameless, now a power and mixed with fate.
I enjoy wording. Words for me are tangible bodies, visible sirens, incarnate sensualities.
My rhyming skills got you climbing hills, I'll travel through your mind into your spine like siren drills.
what makes us so afraid is the thing we half see, or half hear, as in a wood at dusk, when a tree stump becomes an animal and a sound becomes a siren. And most of that fear is the fear of not knowing, of not actually seeing correctly.
Sometimes I think it is a great mistake to have matter that can think and feel. It complains so. By the same token, though, I suppose that boulders and mountains and moons could be accused of being a little too phlegmatic.
A purpose of human life, no matter who is controlling it, is to love whoever is around to be loved.
If anyone asks you if you’re taken,” I said, “the answer is yes.” “I think I can live with that,” he promised. “Good,” I said. “Because you don’t want to see me be cross.” “Too late.” “Shut up and dance, Walt.” “Shut up and dance, Walt.” We did—with the music of a psychotic griffin screaming behind us, and the sirens and horns of Brooklyn wailing below. It was quite romantic.
Now its raining its pouring the old man is snoring now I lay me down to sleep I hear the sirens in the street all my dreams are made of chrome I have no way to get back home I’d rather die before I wake like Marilyn Monroe and throw my dreams out in the street and the rain make ‘em grow
The only position that leaves me with no cognitive dissonance is atheism. It is not a creed. Death is certain, replacing both the siren-song of Paradise and the dread of Hell. Life on this earth, with all its mystery and beauty and pain, is then to be lived far more intensely: we stumble and get up, we are sad, confident, insecure, feel loneliness and joy and love. There is nothing more; but I want nothing more.
I try to avoid Twitter. I occasionally can't resist the siren call of email.
The clock ticked with empty urgency, as though trying to catch up with the time. In the street a siren howled.
Among the rain and lights I saw the figure 5 in gold on a red firetruck moving tense unheeded to gong clangs siren howls and wheels rumbling through the dark city.
Of pure poetry there are two kinds, that which mirrors the beauty of the world in which our bodies are, and that which builds the more mysterious kingdoms where geography ends and fairyland begins, with gods and heroes at war, and the sirens singing still, and Alph going down to the darkness from Xanadu.
Italy's siren call lures us more and more.
Tomorrow I will curse the dawn, but there will be other, earlier nights, and the dawns will be no longer hell laid out in alarms and raw bells and sirens.
The Hollywood sirens are shrieking, while down some search lit alley runs some lost belief.
We've had 20 years of mass murders throughout which I have repeatedly told CNN and our other media, if you don't want to propagate more mass murders, don't start the story with sirens blaring. Don't have photographs of the killer. Don't make this 24/7 coverage. Do everything you can not to make the body count the lead story, not to make the killer some kind of anti-hero. Do localize the story to the affected community and make it as boring as possible in every other market. Because every time we have intense saturation coverage of a mass murder, we expect to see one or two more within a week.
Scheherazade, of course, was always in the back of my mind, because she's also a storyteller identified as female who tells a lot of anti-female stories. There's a parade in The Arabian Nights of sorceresses, adulteresses, ghouls, sirens, harridans.
The siren south is well enough, but New York, at the beginning of March, is a hoyden we would not care to miss--a drafty wench, her temperature up and down, full of bold promises and dust in the eye.
There was too much noise. Sirens from police cars and ambulances. Shouts from the crowd on the street eighteen floors below. Traffic from other streets and all of the noises of San Francisco. Mostly, though, there were the voices. Whispering to him. Reminding him of the dark things he had done - all of the little things he had forgotten, all of the big things he had tried to forget. Mostly they reminded him of his biggest secret, a betrayal of trust and friendship long ago. He squeezed his eyes shut as if that could somehow keep the voices away.
...for the first time in my life, a voice went off in my head:'You have no power over what happens in your life. Drugs dictate exactly what you're going to do. You've taken your hands off the steering wheel, and you're going wherever the drug world takes you.' That had never changed. The feeling would well up inside of me, and no matter how much I loved my girl or my band or my friends or my family, when that siren song 'Go get high now' started playing in my head, I was off.
For my part, whatever anguish of spirit it may cost, I am willing to know the whole truth; to know the worst and provide for it.
And nevertheless I have loved certain of my masters, and those strangely intimate though elusive relations existing between student and teacher, and the Sirens singing somewhere within the cracked voice of him who is first to reveal a new idea. The greatest seducer was not Alcibiades, afterall, it was Socrates.
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