I didn't think it was a wise decision for me to stay once I seen my second album wasn't going to go good. I didn't like how it went out, how the singles went or anything and I just didn't see myself being successful a third time around.
I've always listened to jazz or folk or blues. I was always listening to the prophets. I don't really go for...I don't know how to say anything about the singles scene without slamming people.
I'm a free agent so I'm probably gonna be signing a major deal that I'm gonna be announcing pretty soon, and a few good singles are coming out.
There are two singles I did with Noah Breakfast, ["Talkin Greezy" and "New Phone (Who Dis),"] which was a cool experience. So it's cool either way, I think. It depends on the relationship you have with the other person - not everybody is going to work the same way.
Singles are always simple.
Most people know my music based on the singles, and think of it as scandalously romantic. There's definitely a romantic vibe, but I often sing things that are very direct. I don't beat around the bush much.
One of my favorite occupations is making radio/video edits. I love singles.
Most every album - and especially metal albums these days - are made in a way that you can grow tired of them very easily: They're made to be dissected and played on radio, released as singles or stuck on at parties.
So if everything goes off great, then it being a triple threat match will make it even more exciting instead of a singles match.
Bachelors begin at thirty-six. Up till this age they are regarded as single men.
Show me a woman with a subscription to a bridal magazine and I'll show you someone who doesn't even have a boyfriend.
The civilization of cities is breeding a new race of monks who have none of the original religious drive towards chastity, but are just incapable of facing the responsibilities of marriage.
I sometimes think that as singles it's easy to bind to this mentality that my future husband's going to ride up on a white horse, I'll know that he's the one, and we'll start our life together. That happens to people once in a blue moon. I have heard of that - never really dated anyone and then this person comes along - but it's not probable that that would happen.
If you look at all the artists I've ever worked with, I'm still blessed enough to have one of the biggest singles of their career. My passion is for them and I put my everything into these songs. i get into their life and what their aesthetic is. That's what's missing from R&B. People don't take it serious enough.
I don't determine the singles. I believe the record company sends a bunch of CDs out to people that they trust in the business, and wait for their response to determine which songs will become singles.
I'm popular in the United States and I'm popular in England. England is just more concentrated. The people are closer together. Venues are closer together. Many albums of mine have been popular in England, but, no hit singles. All the hit singles I had were before I went to England. So, I'm not necessarily more popular in England, I'm just popular in England, and more so for my performances than hit records. But, I enjoy doing concert halls all over America, England, Scotland and Australia.
When you're in a two-shot together, you can't be the same as when you're both in singles. Try as you will, it cannot be the same as when you're in the shot together. It simply cannot be. It's physically impossible. You're behind the camera desperately wanting to help your colleague. When it's just you, on your own, it can be self-conscious in a way that you're not when we're just talking, you and I, and then all of a sudden it's me and then it's you. The two-shots were probably more natural.
When you have a single composer writing his work, it shouldn't be doled out in singles based on the length of a piece.
Having solidarity is important and having conviction and sticking with it and also consistency. You can't just have one good record, or a couple of good singles, you have to continue making good music to be considered to be a great band. Having some degree of integrity, that's it in one word.
My father had a couple of Mitch Miller records and a Spike Jones record, and that was it. My older brother had two or three Elvis Presley singles, and that was about it. The rest of it I did on my own.
If I would get an album out every eight months and if I would write songs that were more up-tempo and try to focus more on making singles, then I could probably get more attention. But I don't think the albums would be very fun to listen to, and it would be a drag for me.
I think I've grown a lot in the last few years, and I needed to express myself as an artist on this. It wasn't necessarily about going in and making an album chocked full of hit singles... there were a lot of things I did out of the joy and the want to do it.
Obviously, the hit singles get the biggest reaction - that's when you can see people really getting excited.
Tennis is a young man's game. Until you're 25, you can play singles. From 25 to 35, you should play doubles. I won't tell you exactly how old I am, but when I played, there were 28 men on the court - just on my side of the net.
Pairs skating and singles are two different things. Although some skaters have achieved this successfully, it is a very difficult transition. You’re looking at double work.
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