Sometimes a musical imagination is as important as singing itself, you know, the voice, what you do vocally, the vowels. So there's a percussiveness that can sometimes be quite energizing and useful in singing as an expressive device.
I remember when I finally figured out how simple one aspect of singing was, and I looked at my voice teacher and I said, is that all it is? And he put his head on the piano keys, and he said, why do I do this to myself?
Singing was more of a hobby, and I was terrified of anyone's opinions. The only reason I kept doing it was because people responded positively, and if they hadn't I don't really know if I'd feel the same. I'm not into fighting for people's affections.
There was a filmy veil of soft dull mist obscuring, but not hiding, all objects, giving them a lilac hue, for the sun had not yet fully set; a robin was singing ... The leaves were more gorgeous than ever; the first touch of frost would lay them all low to the ground. Already one or two kept constantly floating down, amber and golden in the low slanting sun-rays.
He was met even now As mad as the vex'd sea; singing aloud; Crown'd with rank fumiter and furrow-weeds, With bur-docks, hemlock, nettles, cuckoo-flowers, Darnel, and all the idle weeds that grow In our sustaining corn.
When I'm on stage, I feel like a performer, for sure. I know people are looking at me and taking pictures and singing along, and that part's wonderful.
Singing has always been something that I've loved to do, but I never thought about doing, professionally. I always felt more drawn to acting.
I found it liberating to sing on camera. On stage, you have to indicate having a thought, and the word you are singing must indicate it as well, but on camera, you can have ideas, you can take in all the stimuli that the character would be taking in, there's a freedom you get, and you don't have the obligation to transmit each idea to the back of the house. It felt so much closer to reality for me.
I still do live concerts all over the country - about four a month - with singing and characters and improv. It keeps me limber. I'll never lose that. And comedy is still the bread and butter.
I guess at a certain point you think, well, singing is singing and acting is acting.
I'm working on my music a lot, like folk singing, guitar. It's sort of rocky, folky, alty, angsty. I'm putting a lot of energy into that.
Church was the thing for me. The fellowship and the message that was given and singing in the choir and singing the solos and really listening to the words that you were singing and seeing how it affected people was huge for me.
What dancing has helped me with is blocking; it makes me comfortable with my body. You know how to hit your mark, you know how to embody a swagger. But sitting down and looking across the table at another actor and being able to go to battle on screen is nothing to do with singing or dancing.
I don't remember not singing. I started when I was, I don't know how - what, two years old, or a year old or something like that.
It's so different going in the studio and singing your own music and you don't really think about making sure that the message of the song or the idea behind the song comes across to people. Because it's in your head, it's in your heart, whatever, but it's... different when you're playing a character and you're singing as the character. There's just a lot more involved in that, I guess.
I'd like to think I could physically manage doing that, but I don't think it feels authentic to the kind of performer that I am. I think that, for me, being stationary and just sort of singing the songs seems to be the most connected and authentic expression for me on stage.
I don't like karaoke very much. I like being around it, but I don't like singing it. If I had to sing a karaoke song, it's usually "Son of a Preacher Man" by Dusty Springfield.
Above all sing spiritually. Have an eye to God in every word you sing. Aim at pleasing him more than yourself, or any other creature. In order to do this attend strictly to the sense of what you sing, and see that your heart is not carried away with the sound, but offered to God continually; so shall your singing be such as the Lord will approve here, and reward you when he comes in the clouds of heaven.
Music and herb go together. It's been a long time now I smoke herb. From 1960's, when I first start singing.
I'm not a big fan of Robert Plant's lyrics or his singing.
White people don't sing together very often, and when they do, it's about the celebrity of the song. The singing at my shows is all about harmony.
Everything I write is personal, really. Even when I'm sarcastic, it's quite personal. And on this record, from the production to the singing to the performances, I got it really honest. To the modern ear, it seems soft. When you hear it against other things, it seems vulnerable. Lyrically and musically, though, this is more subtle. And, yes, it's asking a lot of someone who's used to being hit over the head with bright neon to listen to this.
I was like Gene Kelly, it was called singing in the rain. No seriously, I wasn't really born with a singing voice, but my friends Joe and John taught me how to sing.
Right now the day length is exactly the same as in spring when birds key into it and begin singing. The birds are a little confused by it all and the singing isn't very intense. It only lasts a week or so each fall, but it's still cool to hear spring bird songs at this time of the year.
A woman is a branchy tree and man a singing wind; and from her branches carelessly he takes what he can find.
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