Some photographs are like a Chekhov short story or a Maupassant story. They're quick things and there's a whole world in them. But one is unconscious of it while shooting.
I don't understand the feeling of, the way people speak of writing as though it were, like, some kind of djinn to be summoned or like it's the Loch Ness monster or seeing a shooting star. It's a physical act. It is a thing you do with your muscles and your body and your willpower. Watch, I'll show you: get a piece of paper. Get a pencil. Put the pencil on the paper and write the word 'something.'
In England when you make a movie even the weather is against you. In Hollywood the weatherman gets a shooting schedule from all the major studios and then figures out where he can fit in a little rain without upsetting Metro-Goldwyn-Mayer too much.
You never wish on shooting stars. You wish on the ones that have the courage to shine where they are.
For this form of fishing (with a wet fly), the rod is no longer a shooting machine but a receiving post, with super-sensitive antennae, capable of registering immediately the slightest reaction of the fish to the fly.
I always shoot at privates. It was they who did the shooting and killing, and if I could kill a wound a private, why, my chances were so much the better. I always looked upon officers as harmless personages.
If every violent program in the nation were blipped off the air for 48 hours, and replaced by reruns of the 'Donna Reed Show', there would not be one less death in South Central LA. At most you'd have several more incidents of people shooting out their TVs.
I don't think you ever want to be too settled, because once you become settled, you lose a lot of your drive. I mean, I am settled off the court; the business side of things, the papers, contracts and all of that, but there are a lot things that I need to work on, on the court, like my free-throw shooting, which has been terrible. I need to work on being more demanding in the post. My teammates are going to come to me and I just need to go out there and score in the post, which will open up things for our guards.
I read the Phantom comics when I was in Australia shooting 'Dead Calm'' and when one of the crew told me that there were plans for a movie, I went for it. That was in 1987 and I told (producer) Graham Burke I was going to be the Phantom. We had a laugh about that recently because you usually get what you deserve, not what you desire, and that is especially true in Hollywood!
Paul is Starsky, and I met him before shooting. He was very kind and encouraged us to go with what we wanted to do. It was very sweet to see them back with the car after 25 years.
It's funny shooting movies because you get to see clubs during daylight hours, which no one should ever see - it's not pretty; there's a reason the lighting is dim in there.
When I was shooting a movie in Montreal, it was freezing. If you take a little bit of Aquaphor and dab it on your face, it keeps your skin looking fresh. I dubbed it Aqua For Everything.
When I was 16, I made some little 35mm documentaries about the poor in London. I went round Notting Hill, which was a real slum in the 1950s, shooting film.
I think I spent my whole childhood diving out of haylofts with my BB gun and coming out shooting.
One of the biggest inspirations before I started shooting came from my brother, when he texted me and said, 'Hey, fatty, it's called 'The Hunger Games', not 'The Eating Games'. So I started working out a lot more and eating a lot less.
People don't realize how long hours are when you're shooting a movie.
I adore shooting photographs. It's like being a hunter. But some hunters are vegetarians - which is my relationship to photography.
I love David Fincher - even though it was just two scenes, I loved the way we worked and could tell by the way he was shooting it that this was going to be an affective movie to say the least.
Without a good cultural policy, without adequate help, we will always have individualists, shooting stars who are rapidly forgotten or who stop painting for a more profitable occupation.
On my first day shooting '13 Going on 30,' Jennifer Garner had yellow tulips sent to my trailer. I'll never forget them.
The lyrics stand today (1980). They're still my feeling about politics. I want to see the plan. I want to know what you're going to do after you've knocked it all down. I mean, can't we use some of it? What's the point of bombing Wall Street? If you want to change the system, change the system. It's no good shooting people.
If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
Only with gun violence do we respond to repeated tragedies by saying that mourning is acceptable but discussing how to prevent more tragedies is not. But that's unacceptable. As others have observed, talking about how to stop mass shootings in the aftermath of a string of mass shootings isn't 'too soon.' It's much too late.
There is nothing - no program, no hobby, no vice, no crime - that does not 'create jobs'. Tsunamis, computer viruses and shooting convenience store clerks all 'create jobs'. So that claim misses the plot; it applies to all so is an argument in favor of none. Instead of an argument on the merits, it is an admission that one has no such arguments.
It is impossible to preserve my friendship with people who are allegedly leaders when they are attacking their own people, shooting at them, using tanks and other forms of heavy weaponry.
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