I like to see people who are survivors wearing my shoes. I am fascinated by people who can bounce back.
If I could do shoes for anyone, it would be a special project for the Queen of England.
My relationship with shoes has always been linked to shoes, women, women in their shoes and performance.
My shoes are perfect for the very sexy woman who wants to be elegant.
Sometimes women feel uncomfortable when men stare at them when they try on shoes.
Strangely enough, I really think that shoes are a communication tool between people.
Being on a trapeze is like dreaming. I feel totally outside of myself when I'm flying. You know, designing shoes, my imagination is flying in my drawings.
I don't give away my shoes to celebrities for free. I'm only happy when people like what I do and make the effort to buy them. I would not be happy to see people in my shoes if I knew that they had to be paid to do it, that they had to be pushed.
I never was interested in being part of the fashion world - I just wanted to design shoes. I didn't even know Vogue existed when I was growing up. Vogue, what is that?
I wanted to be a shoe designer, but I never thought it could be a profession. But what was the alternative? Doctor? Too dirty! Air-hostess? Maybe not! Then someone gave me a book on Roger Vivier, and, cheri, instantly I knew that was it!
I'd already decided I wanted to design shoes after I saw a sign in the Museum of African and Oceanic Art forbidding high heels. Well, who could resist?
In designing shoes for myself; I'm not thinking of a specific person or catwalk. I'm just not thinking of clothes at all. I'm always thinking of a naked woman, actually.
My job is designing shoes. It's work that happens behind the scenes, as they say, and that suits me just fine because in general I am a shy person. But sometimes I have these extroverted outbursts.
One thing I detest, I have to say, is when a shoe is too soft, and it's molding to the foot. This is quite disgusting. And I really, really hate incredibly long shoes, where the last is very pointy, almost like Aladdin.
The highest heels I do are six-inch heels - but mostly only dancers can wear them, since they are used to being on point in ballet shoes. Their feet are arched.
The most outrageous shoe that I had to do was a shoe where the person gave me stones - precious stones - and say that I could do anything with precious stones.
The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.
When you sketch a shoe but don't have the intention to do a proper shoe, it remains a curvy sketch with no detail. The shoe completely morphs to the body.
I became the storyteller of South Side Chicago. I used an old Kiwi liquid shoe polish as a microphone. I'd go around the house interviewing everybody, telling stupid jokes, doing voices. I mimicked Sidney Poitier, Sammy Davis Jr., people on 'Laugh-In,' Flip Wilson.
You know, kicking people's butts with round-edged boots is good, but with pointy shoes, it's even better.
We've never played at this place before. This place is big, and I'm kinda nervous, so we're going to make it feel small by pretending we're in a... bedroom. We'll hang off the edge of the bed, take off our shoes and get naked!
If you're able to help some people and make them smile and make them realize that life is good, then that's worth so much more than buying a pair of shoes.
I love street style, seeing how girls wear pieces and how their pair accessories with their outfit. How they pair shoes with a bag and go to day to night and change things up.
I want my handbags and my shoes to be stylish but I want to make sure that they're versatile. I travel and I have to make sure the pieces I put into my bag can go with a dress or with shorts or jeans.
Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.
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