It's why this election was HORRIBLE. It was either Hilary is the devil and Trump a saint. Or Trump the devil and Hilary a saint. Can't we all have a decent, civil conversation without throwing "shade?"
We can use wealth, intelligence, education or health in harmony with our compassionate spiritual nature, or we can use them according to the selfish concerns of our particular egos. We have choices as human beings. We can be saints or we can be terrorists. We can be peaceful or we can be miserable. When we see everything in the world as God's sacred property, then we're seeing the spiritual potential, the spiritual substance, everywhere.
I must say that in my own mind, I think what's important is for us, as a society, to radically reduce the consumption of meat. This is more important than some fraction of us become moral saints and become vegetarians so it would be much better if we would reduce meat consumption by three quarters of each of us as an individuals would only eat one-quarter as much meat as we do now then that half of the population should become vegetarian. We should see this as a collective challenge rather than an issue about individual, moral period.
We can use our art to become political, to become something you want to talk about. We make clothes, but we have the chance to change a generation as well. We have to remember that fashion changed the roles of men and women: When Yves Saint Laurent was putting pants on a woman, he was not only doing that - he was assuming the fact that a woman can wear pants like a man. It's all the codes that I think fashion pushed so much to change the world, and today it's what I'm trying to do in my own way.
Somehow Annie Flanders from the SoHo News heard I was doing pictures and was headed to Paris. She saw my worked, liked it, and asked me to take pictures for her paper while I was there, but told me I would first have to buy a real camera - 35-millimeter. I got a little book that taught me how to load film. I read it on the flight to Paris. Hours later, I found myself at the top of the Eiffel Tower with Yves Saint Laurent and Andy Warhol. It's all been downhill since then.
I am a man who has spent more than half a century ostensibly and visibly accompanying Yves Saint Laurent throughout his life - but not only that. In the past and still today, I have been behind a lot of creators and artists, supporting them and helping them. That's probably how I see my mission.
In April 2007 I learned that Yves Saint Laurent had a brain tumor, and he died on June 1, 2008. During those 14 months I had plenty of time to think about what would happen. There was only one solution: the auction. An auction establishes memory. That's what I want to do.
I carried on buying paintings, works of art, and Yves Saint Laurent, if I may say so, had a right of inspection. We even shared a common reading of the history of art. It would never have crossed Yves's mind to say to me, "Ah, I saw a Pablo Picasso . . ." He knew perfectly well what was interesting with Picasso, as did I.
Let's talk about that for a moment, about the couple that Yves Saint Laurent and I were. Like all couples we went through "storms," as the Jacques Brel song says. But if there's one area where we never had the slightest disagreement, it was art. Never. Not once. Not about painting, not about opera, not about theater. We were always in complete communion. Of course, that's how all of the collection came into being.
I've already bought another house in Tangier and the one in Deauville has been for sale for some time. As for Yves's Saint Laurent apartment, it is being sold because he's dead. But I won't be furnishing my home from Ikea.
Yves Saint Laurent hated fashion. He loved style.
There's nothing that really motivates me anymore and demands that I get up in the morning. In the past it was Yves Saint Laurent.
I never abandoned Yves Saint Laurent. I used to have lunch with him twice a week. I also saw him every Saturday. My presence beside him was even more important in his bad times. But that didn't leave me a great deal of room in which to maneuver. Freedom is an intellectual space. But I don't use it.
In fashion, of course, the way that women are dressed now - and also a vision of the modern woman, the woman of today. She's very feminine, but at the same time, extremely free. A Saint Laurent woman is actually very Parisian. She's not really a man's equal, she's his adversary. I worked on the catwalk with two models who worked with Yves Saint Laurent for more than 10 years. They're not just gorgeous models, they're more than that - they're very smart and very beautiful. They're more than models, they're really unique; it's personality. It's more than just fashion.
It's the ultimate for me not to see how it's made. I find it vulgar when you can distinguish how something is made. I used to be a student at the Chambre Syndicale de la Haute Couture in Paris, and once I got to go to a Saint Laurent couture show. Everyone was always talking about how fabulous the tailoring was, but I was transfixed by this one particular dress. It was just a piece of fabric, but as the model was walking, you didn't know how she got into it, how it closed, where the seams were, and that, for me, was perfection. It stayed with me as a lifelong vision.
I love monsters. If I go to a church, I'm more interested in the gargoyles than the saints. I really don't care much about the idea of normal - that's very abstract to me. I think that perfection is practically unattainable but imperfection is right at hand. So that's why I love monsters: because they represent a side of us we should actually embrace and celebrate.
Rather than seeking total control, relinquish it. You can't run the world, but you can entrust it to God. This is the message behind Paul's admonition to "rejoice in the Lord." Peace is within reach, not for lack of problems, but because of the presence of a sovereign Lord. Rather than rehearse the chaos of the world, rejoice in the Lord's sovereignty, as Paul did. Sovereignty gives the saint the inside track to peace. Others see the problems of the world and wring their hands. We see the problems of the world and bend our knees.
I was educated in London at Central Saint Martins and had this whole thing about getting together with a lot of international students. Twenty-three languages were spoken during our lunch breaks! The school was very open minded, you could do whatever you wanted. Some people loved that freedom, others got lost. Gareth Pugh was a classmate, and so was Peter Jensen.
Personally, I like to start my day off as a Saint and graduate to my Sinner self!
We're all saints! We all have built into us this intention, the capacities for kindness and creativity and beauty. It's a matter of perspective. As Einstein said, "The single most important decision any of us will ever make is whether or not to believe that the universe is friendly." It's your choice.
When I went to England, to Saint Martins, I was traumatized, in a positive way. It was that British sense of transgression and the dark. Then when I went to Paris, I was doing couture, which everyone was saying was finished. Bullshit! For me, in the end, it was all a mixing of ingredients.
Unreflective self-deception leads people into hypocrisy and all sorts of moral failings. When you look at these people who are busy pontificating like I was a moment ago - Saint Clancy - those are the people that get into the most egregious kinds of moral problems.
Noah was this sort of patron saint in my life. When I finished Pi and I started to think about what was next, I was like, "Wow, it's interesting that no one has done a film of one of the greatest stories ever told." Even if you're not a Jew, a Muslim, or a Christian, you likely have a flood story in your culture.
I'd been to Saint Petersburg before, but there's been a change in people's minds. Maybe it's a fashionable thing, but people have returned to the churches. I went to a Russian Orthodox and a Catholic church - both of the queues, enormous!
I don't want to be a saint; I just want to help people.
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