If epic poetry is a definite species, the sagas do not fall within it.
With empathy you know in your heart that it's not a sign of weakness to attempt to understand that the people we call terrorists have placed the same label on us, and that the use of force will create a counter force, a never-ending saga of killing and hate. Ending war involves cultivating empathy in our policies and the love of God in our hearts. As the Native Americans reminded us: No tree has branches so foolish as to fight among themselves.
My books are a subject of much discussion. They pour from shelves onto tables, chairs and the floor, and Chaz observes that I haven't read many of them and I never will. You just never know. One day I may - need is the word I use - to read Finnegans Wake, the Icelandic sagas, Churchill's history of the Second World War, the complete Tintin in French, 47 novels by Simenon, and By Love Possessed.
It is fun, revisiting a role. Usually, as an actor, you do a movie and you put that character up on a shelf, and he's done. That character is now immortalized on film, but you don't get to play him again. In these films [Twilight saga], we got to revisit these characters, and we didn't take that for granted.
This and the small sample size inevitably leads to stereotypes - sweeping family sagas from India, 'lush' colonial romances from South-East Asia. Mother and daughter reconciling generational differences through preparing a 'traditional' meal together. Geishas. And even if something more exciting does manage to sneak through, it gets the same insultingly clichéd cover slapped on it anyway, so no one will ever know.
How do things, whether they are movies, or plays, Hamilton, or people, ideas - how do they become transformative or iconic? That is in some ways what the actual Star Wars saga gets at, with the tale of the rise and the fall of the empire and the rise and the fall of Republics.
On reflection, some things do super well because they hit with the time. Some things do super well because they are able to activate a kind of echo chamber or bandwagon or cascade - they didn't particularly hit with the time. Some things are just too astonishingly good to not hit the top. Those three explanations, with respect to the Star Wars phenomenon, seem to me all to pass the plausibility test, and to explore them, with respect to Star Wars, I think casts light not just on the saga of our time, but also on everything about our culture.
Gypsy [Rose Lee] is as unique as she is timeless. Her story is classic Americana, and the strangest rags-to-riches saga you'll ever read; I like to call it Horatio Alger meets Tim Burton.
People were asking me how I'd feel when it all ends, on the first movie [of The Twilight Saga], and I don't think I've ever felt more completely bewildered knowing that I only have a month of Twilight stuff left to do.
I've said, I think since the second one [part of Twilight Saga ], that it's going to take 10 years to really settle in my brain, and I'm four years into it.
I don't know how people will remember this series [of the Twilight Saga] at all. It's crazy how intense people are.
After the first one [Twilight Saga movie], as soon as people start referring to something as a franchise. A franchise is a Burger King or a Subway. It's not a movie. The people who start to say it are generally the people who are making money off of it. That's how they refer to it. They love it when something has become a franchise. But, as an actor, I think it's scary.
Life was so much simpler in pre-video days when everyone refused invitations because the 'Forsyte Saga' was on. Now we all just have a long list of unwatched shows, all of which, it seems, our friends are raving about. I feel as outdated as if I wore a Fair Isle sweater, ate Pot Noodle and had a two-bar electric fire in the sitting room.
Before 'Twilight,' occasionally I would get the 'Hey are you that girl from that movie?' but no one knew my first and last name. The fans of the saga are amazing, and it's very flattering.
I heard about Bhagavad Gita very early in my childhood, from the age of five onwards. It was one of the earliest things I started to read when I started to read. And it was very much a part of my consciousness. In the beginning, I saw the "Bhagavad Gita" as a text that was very classical, much like the "Iliad" and the "Odyssey" - a mythical saga that showed the eternal conflict between good and evil. But much later, as I grew up, I realized that it was much more than that.
Write about small, self-contained incidents that are still vivid in your memory. If you remember them, it's because they contain a larger truth that your readers will recognize in their own lives. Think small and you'll wind up finding the big themes in your family saga.
The approach to that movie wasn't, 'Lets make this movie about Amsterdam and maple syrup.' The concept was, 'Lets go to Amsterdam. Amsterdam is fun.' So we flew to Amsterdam with our cameras and we saw what happened and then we got back and we sat down and we said, 'What's the movie here.' That's when we realized that the movie was 'The Maple Syrup Saga'.
But most men regard their life as a poem that women threaten. They may not have two spondees to rub together but they still want to pen their saga untrammelled by life-threatening activities like trailing round Sainsbury's, emptying the dishwasher or going to the nativity play.
Against the odds, John Carter is itself pretty amazing-an epic pulp saga that slowly rises to the level of its best imitations and wins you over by degrees. I say that as a grown-up moviegoer; behind me at a recent screening was a row of 10-year-old boys who were ecstatically in from the get-go. That's probably all that matters.
So all hail the honorable, microphone phenomenal Persona is unbombable? Trust me son, I continue like a saga do, bringin' you the drama to allow you that the chronicle has just begun.
Vengeance is a strange human motivation --- it can drive a man to do things which he neither would nor could achieve without it ... and because of that it lies behind some of the greatest sagas of human literature!
To think that only faultless people are worthwhile seems like an incredible exclusion of almost everything of deep value in the human saga. Sometimes I can't believe the narrowness that has been attributed to God in terms of what he would approve and disapprove.
As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.
The history of science is the saga of nature defying common sense.
Intern is not just a gripping tale of becoming a doctor. It's also a courageous critique, a saga of an immigrant family living (at times a little uneasily) the American dream, and even a love story. A great read and a valuable addition to the literature—and I use the word advisedly—of medical training.
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