The angels had guitars before they had wings.
It's a little hard for me to stand behind the walls of the great mansion and play rock and roll star. I feel the need to give back.
It's really hard to make records and concentrate and have a free mind, because I have this whole other life. If you don't have kids it's a whole other thing. I think you can be fifty and still have a rock and roll lifestyle; you can still perpetuate that.
We are a band that stylistically crosses a lot of barriers and generational gaps. The heavier portion of the band, the modern music elements, the visual part of the band appeal to a younger audience. For an older audience, we have chops and great songs that are reminiscent of the things that were great about rock and roll when they enjoyed it. We're the kind of band that can cross those lines.
I grew up in the funk, rock and roll, blues and r&b tradition, and I came to this thing we call jazz later. And I came to improvise music from the standpoint of jazz; I was improvising, but within these other genres of music.
The Rock and Roll Hall of Fame traditionally has had a management style that is very supportive of American talent, first and foremost, over everything else. And I think that's right and proper.
I don't need a Rolls-Royce, I don't need a house in the country, I don't need to live in the south of France. I'm quite happy as I am.
Rock and roll has had a powerful anti-Christian subtheme for decades now.
Rock and Roll has no beginning and no end for it is the very pulse of life itself.
There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.
All rock and roll is homosexual.
It's Only Rock and Roll.
Rock and roll is about having a good time.
I tried to reach the combatants with my music. I tried to turn my anger into something positive. Myself, and others like me, just tried to keep rock and roll alive.
I wanted to be a broadcaster, sportscaster, or gameshow host from a very early age. I did my first broadcasting when I was 10 or 11 - into a tape recorder for my brother's football game, and for local events. A local radio station was experimenting with high school disc jockeys for rock and roll shifts - I applied - and got the job.
Rock and roll came in and changed my life and changed the whole music scene forever, and then I grew to love R&B and Motown and all black music, gospel music. But I never dismiss any form of music. I listen to everything.
. . . rock and roll, as I see it, is the ultimate populist art form, democracy in action, because it's true: anybody can do it.
All I want to do, is write rock and roll that you could listen to as you got older, and it wouldn't lose anything; it would be timeless, in the subject matter and the literacy of the lyrics.
Rock and Roll adolescent hoodlums storm the streets of all nations. They rush into the Louvre and throw acid in the Mona Lisa's face.
I heard guys say they got into rock and roll to pick up women. I didn't get into rock to pick up women, but I sure adapted.
Now I'm grown up and playing in a band.
I'm doing a little freelance work, and I think everybody's trying to take their minds off rock and roll for a little while and get some perspective.
I think the things that I enjoy most about directing theater, or works that are really visceral in terms of comedy and have a sort of rock and roll aesthetic.
Generally, if you could picture a bunch of rock and roll momentum behind a song and it was particularly melodious, maybe the Pornographers would do it. If it was kind of moody and more lyrical, then maybe it would be a Destroyer song. Anything that's really lyrically driven I would keep for Destroyer.
I actually do see rock and roll as pop music. I think the distinction I was making was that I was going out of my way to have a very consistent approach to production, where nothing kind of punctures the reality - or, I guess, the fake reality - of the album and what you're listening to from beginning to end.
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