I definitely appreciated '60s music. My uncle and I used to take long road trips to visit my grandmother when I was going to NYU. We'd listen to Petula Clark and other 60's music and sing at the top of our lungs the whole time.
Growing up, road trips with Dad were something I hated. Sitting still for hours, singing that stupid song, "100 bottles of beer on the wall. 100 bottles of beer..." Dad, you know, keeping up with the song.
I have a real hunger to experience life. I'm really, really inspired by my family. I grew up with my family, really did a lot; we took a lot of road trips, we did a lot of different businesses, we'd always tried stuff. For me, that just kind of sparked something from the time I was a kid.
I have a bunch of friends at the University of California at Berkeley, so that's always a fun drive. Last summer I took five road trips to Berkeley. It's so beautiful. I like to take the scenic routes and make stops along the way.
When I was in college my improvisation troupe and I did a road trip to Chicago, and went to The Second City to see the classic 'Paradigm Lost' revue - with Tina Fey, Rachel Dratch, Scott Adsit and Kevin Dorff. It blew my mind, and proved to me you can do sketch comedy like you're doing 'Long Day's Journey into Night.' We could treat it like theater.
We'd done a couple of road trips with my big chair, and it was such a hassle if we didn't have the van with the foldout ramp. I figured: There's got to be some option that I can use on the go. Now I can go anywhere with my friends, which is a big, life-changing thing. I can sit on it for as long as I need to.
At first Disco Night wasn't meant to be a book, although I'm always thinking about that in the back of my mind. It started off as a series of exploratory road trips that I was doing with Christian Hansen, who I dedicated the book to.
I consider taking a road trip with my husband to be the epitome of happiness. It's been so hectic lately that it's been hard to plan one, but we always drive to North Carolina, where he's from, for Christmas. We'll be doing that again soon.
Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.
I enjoyed cross-country road trips. And I found the work challenging because it was art that existed on the land rather than mere concepts in a gallery or photographic documentation, or any of the paraphernalia that can be used to indicate that. The art was on the land.
I told my mom I was going to do a movie about a son who hears a story about his mom and takes her on a cross-country road trip, and I wanted to actually take the trip with my mom to see what it would be like to drive cross-country with your mom.
I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."
There was a sense of being taken on a journey by the grandmaster of the road trip. You feel this weird angel taking you somewhere. You don't know where, but you trust him.
There's a combination of things [to survive the road trip]. Humor would be key. If everyone has relatively the same sense of humor, then that helps. And things in common, like food, eating.
My mother always accused me of being in love with the sound of my own voice. When we went on road trips, she'd be like, 'Stop singing. Be quiet, you're talking just to hear yourself speak.' It was probably true. I like to ramble on, which is probably why I'm well suited to interviews. You know, there's no other forum where you're literally supposed to sit down and just talk for hours about yourself. I love it.
The one thing I did know - because I've seen many, many of the road trip movies that everyone thinks about - is that death to a road trip movie happens when you spend too much time in the car.
One of my fun road trips was [when] a group of guys and I rented a tour bus and we started in Orlando and drove all the way around the country going to baseball games. That was an awesome trip because each night we would go to a new baseball stadium, watch a baseball game, get in the bus, wake up [in] the next city, go to another baseball game. We did this for a little while and it was great. We called that trip the Rats on the Bus and it was a fun trip.
My father suffered from chronic wanderlust. When I was 14, he set out on a yearlong road trip across Europe and Asia - and decided to take me along for company.
When I was 11 years old and I was on a road trip with my family. I turned to my dad and said, "Do you believe in Adam and Eve?" And he said he didn't think so. I remember that felt like a slap in the face, because if my parents questioned Adam and Eve, then they potentially questioned everything within Catholicism. Eventually that idea led to my feeling liberated, but at that time it was very scary.
When we get out of the glass bottle of our ego ... things will happen to us so that we don't know ourselves. Cool, unlying life will rush in.
A wise man travels to discover himself.
Our battered suitcases were piled on the sidewalk again; we had longer ways to go. But no matter, the road is life.
Now, on this road trip, my mind seemed to uncrinkle, to breathe, to present to itself a cure for a disease it had not, until now, known it had.
There is no moment of delight in any pilgrimage like the beginning of it.
To my mind, the greatest reward and luxury of travel is to be able to experience everyday things as if for the first time, to be in a position in which almost nothing is so familiar it is taken for granted.
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