I love music more just in and of itself. I love harmony and rhythm.
The Righteous Brothers were purely rhythm and blues, black music.
When we strike a balance between the challenge of an activity and our skill at performing it, when the rhythm of the work itself feels in sync with our pulse, when we know that what we're doing matters, we can get totally absorbed in our task. That is happiness.
I really consider myself more of a rhythm guitarist than a soloist.
I changed the course of my life, from the rigidity of mathematics and the corporate rhythm to a more bohemian world.
I would enjoy venturing into music, as I do write songs and compose music! And, of course, dance, rhythm and performance are in my blood, so eventually I see myself doing something in that area, surely!
I got a lot from my uncle who is a really good ska guitarist. Very ragged makeshift rhythms and intricate lines.
The slow rhythm of the body, the insistent rhythm of the wit, were they becoming irreconcilable in modern civilisation? The sedentary life, frustration and irritability; work with the body, fatigue - and peace of mind.
Maurice Sendak is the daddy of them all when it comes to picture books - the words, the rhythm, the psychology, the design.
The first thing that strikes you about Timothy Murphys verse is the palpable texture of his line - that sound of sense practised by that other American poet-farmer, Robert Frost. And just as Murphys ear is trained on the rhythms of local speech and classical epigram, his eye holds fast on the image. This is an undeluded vision, sometimes bleak, often funny, and never less than painstakingly crafted.
I feel overawed by quantity where counting no longer makes sense. By unrepeatability within such a quantity. By creatures of nature gathered in herds, droves, species, in which each individual, while subservient to the mass, retains some distinguishing features. A crowd of people, birds, insects, or leaves is a mysterious assemblage of variants of certain prototype. A riddle of nature's abhorrence of exact repetition or inability to produce it. Just as the human hand cannot repeat its own gesture, I invoke this disturbing law, switching my own immobile herds into that rhythm.
When man sends colonies into space, he will be able to mount moveable, sun-reflecting mirrors to simulate rhythms of day and night and even the terrestial seasons...But he doubtless will follow the longstanding American habit of thinking that outer space should, as much as possible, resemble Southern California.
A poet's work consists less in seeking words for his ideas than in seeking ideas for his words and predominant rhythms.
With mountain biking, it's always that constant thing, negotiating singletrack, which I like, but for a road ride that rhythm is really Buddhist. When you get a good pedal stoke, it's that thing of everything works.
I write anywhere. I'm always banging around on the dashboard. Whatever I'm doing. I can make music out of anything. Whenever a song hits me, I'll pick some sort of melody or rhythm out on it, and kind of enhance the song.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
Depending on who I am talking about or who's talking through me - if the person is a kind of hip-hop, or rhythm and blues person, or if the person is a kind of old-fashion gothic, meaning gothic attitude, then that will determine what form the poem will take.
I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary.
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
Part of being an actor is being able to contribute to a character's rhythms. If there's room to explore, you find a happy medium. We almost always get it as written, and then, we throw some improvs in or some alternatives.
The Bible is forbidding when you start to read it. The language is odd. The stories start and stop herkily-jerkily. The characters behave in inexplicable ways. It takes a little bit of time to get into the rhythm of the book. I found reading the first 15 chapters of Genesis very very difficult. Once I got past there, I loved reading, and found it very easy. When you get used to the Bible, it becomes thrilling to read (like any great book - I just had exactly the same experience with the Odyssey).
I started to notice that simpleness is divine. I think we all start trying to use very complex harmonies and rhythms and all that because of a certain kind of ambition. But I was always trying to create something simple.
Great is the art, Great be the manners, of the bard. He shall not his brain encumber With the coil of rhythm and number; But, leaving rule and pale forethought, He shall aye climb For his rhyme. "Pass in, pass in," the angels say
Our father presents an optional set of rhythms and responses for us to connect to. As a second home base, he makes it safer to roam. With him as an ally--a love--it is safer, too, to show that we're mad when we're mad at our mother. We can hate and not be abandoned, hate and still love.
When Americans look out on the world, they see nothing but dark and menacing strangers who appear to have no sense of rhythm at all, nor any respect or affection for white people; and white Americans really do not know what to make of all this, except to increase the defense budget.
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