I was 15 when I first became deeply touched by the rhythm and structure of words.
Walking is magic. Can't recommend it highly enough. I read that Plato and Aristotle did much of their brilliant thinking together while ambulating. The movement, the meditation, the health of the blood pumping, and the rhythm of footsteps...this is a primal way to connect with one's deeper self.
I love New York, but being there the whole year, it gets a little crazy with the speed and rhythm of things.
There's a rhythm to the legislative session and there are rhythms to legislative sessions. So I think that's very important to take into consideration when you are deciding what to do when.
I can play rhythm guitar. I know how to hold a guitar and strum it.
There's also a certain rhythm to the way Jews talk that might be funny.
I've had experiences where I wasn't allowed to change words around at all because you have to say everything, exactly as written on the page. That's not fun for me. For me, part of being an actor is being able to contribute to a character's rhythms. If there's room to explore, you find a happy medium.
It seems to me monstrous that anyone should believe that the jazz rhythm expresses America. Jazz rhythm expresses the primitive savage.
I do miss the rhythms of comedy. And I've never been able to perform very well without an audience. The sitcoms I've done had them. It was like doing a little play.
Entering a novel is like going on a climb in the mountains: You have to learn the rhythms of respiration - acquire the pace. Otherwise you stop right away.
As an actor, you are in a unique position because you’re not only memorizing dialogue but really embodying it. You naturally feel the rhythm of good writing.
I enjoy working with complicated equipment. A lot of my things started just with a rhythm box, but I feed it through so many things that what comes out sounds very complex and rich.
My feeling is that poetry will wither on the vine if you don't regularly come back to the simplest fundamentals of the poem: rhythm, rhyme, simple subjects - love, death, war.
I can tell by the way somebody walks if they can dance or not. Just by the rhythm.
What came to me as a revelation was the use of rhythm in developing an overall structure in music.
Although I'm a lead guitarist, I'd say that a good 95 percent of my time onstage is spent playing rhythm.
When you're first starting out, there's always the temptation to hide behind distortion because it lets you get away with murder. But, when it comes to rhythm work, you've gotta back off that gain control a bit, especially if you're playing with another guitarist.
I always write lyrics first and the rhythm and the melody come from the lyrics. It always comes from the lyrics: words have rhythm and words have melody.
Gospel music rhythms are not African in origin, although I know that's what the jazz experts say.
People assuming that because I'm a great athlete, I can dance. But no. My rhythm is off a little bit.
The end is the beginning of all things, Suppressed and hidden, Awaiting to be released through the rhythm Of pain and pleasure.
I could tell you which writer's rhythms I am imitating. It's not exactly plagiarism, it's falling in love with good language and trying to imitate it.
I've always felt, even as a songwriter, that the rhythm of speech is in itself a language for me.
If there was no black man there would be no Rock'n'Roll. The beat, the rhythms of Africa are what created Rock'n'Roll and Jazz.
Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.
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