I always listen to music when I write, I need a rhythm to write.
I think there are some things in music that work and don't work. That's learned from counterpoint and rhythm and theory, and they don't work if you don't want them to work.
I try to make the voice in my head come out onto the page. I try to make it much more conversational than other writing. I speak everything, so if something sounds right I write it. It's more about sound and the rhythm of speech than written language.
I don't speak with proper grammar. I don't speak with dialogue attribution. I don't speak with quotation. I don't care about any of that stuff. It's about rhythm, and it's about what's in their [the character's] head, and what feels more natural. And it's about speed. I want things to move.
There is a set of balances and rhythms to a novel that we can't experience in real life. So I think there is a sense in which fiction can rescue history from confusion.
I like working with sound; sound and rhythm. I like the abstract more than "What does that mean?" Nobody ever says to you, "Why did you use a harmonium?" Or "What is that ringing sound that occurs here?" The questions are always "What does that song mean?" or "What were you trying to say here?"
One of the reasons there may be a trend toward moving out of the cities, again, it may be conscious or it may be unconscious, but it is a desire to connect more with nature. And with the natural rhythms. We [people] need that! We've been missing it.
Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.
After watching a couple of live performances of bands like Nirvana, I was really excited and inspired by how raw and powerful it was. I wanted to at least aim in that direction with the guitar and do my own version of it. I know it doesn't really sound like that on the other end, but I wanted guitar, heavy rhythms, and singing to be the stamp of the whole thing.
What makes that record special is something that is gone from music today - it's called a rhythm section.
Although the assembly of the shots is responsible for the structure of the film, it does not, as is generally assumed, create its rhythm; the distinct time running through the shots makes the rhythm of the picture, and the rhythm is determined not by the length of edited pieces, but by the pressure of the time that runs through them. The pieces that 'won't edit', that can't be properly joined, are those which record a radically different kind of time
We have no physical model of this endless rhythm of individuation and involvement, we do have its image in the world of art, most purely in dance.
Interspirituality is the world music of religion; borrowing, fusing, blending and bouncing rhythms and riffs off one another not to create a homogenized spirituality, but to birth a radical new sound embedded in the ancient and timeless silence. This doesn't impact or deepen my life-it is my life.
Television was the only band of its ilk that treated the guitar with delicacy, not as simple rhythm support for teenage aggression.
I can't presume to speak for the others, but I never felt anything negative from anyone when I was onstage with Television. When I played rhythm behind Lloyd, the only thing that concerned me was to push him as hard as I could so that he'd go beyond what he was capable of and come up with something new, and vice versa. That's the only thing that mattered.
Success and failure, triumph and disaster. That is the rhythm of life in the garden.
I welcome the autumnal chill in the air. There is a stimulation about it. Life moves to a different rhythm. There is a sense of change in the atmosphere and change is good inasmuch as it prevents stagnation. We should grow weary of a summer that never ended.
I'm nothing. Nothing at all without writing. Without truth, my truth, the only truth I know, it's all a gambol in the pasture without rhythm or sense.
It doesn't matter if I'm off the beat. It doesn't matter if I'm snapping to the rhythm. It doesn't matter if I look like a complete goon when I dance. It is my dance. It is my moment. It is mine. And dance I will. Try and stop me. You'll probably get kicked in the face.
Isn't my music the last of the real rhythm and blues? Isn't it great? It's because of my musicians, we were weaned on Muddy Waters, Howlin' Wolf, Bo Diddley, Chuck Berry, Little Richard, Jerry Lee Lewis, all the founding fathers, the gods of thunder, who invented the foundation and the pulse of the greatest music in the world!
I'd like to have James Brown as my singer. I already have the best drummer, Tommy Clufetos. I've jammed a bunch with John Entwistle, and it was like a musical orgy. That guy is a living, breathing, grunting rhythm. For horns, let's go with the Stax/Volt guys, and I'm going to have Steve Cropper on standby just in case I want a rhythm guitarist.
One great aim of revision is to cut out. In the exuberance of composition it is natural to throw in - as one does in speaking - a number of small words that add nothing to meaning but keep up the flow and rhythm of thought. In writing, not only does this surplusage not add to meaning, it subtracts from it. Read and revise, reread and revise, keeping reading and revising until your text seems adequate to your thought.
Rhythm is form cut into time.
Make the short story tremendously succinct - with a very short pulse or rhythm - and the closest selection of detail - in other words summarise intensely and deeply and keep down the lateral development. It should be a little gem of bright, quick, vivid form
I mean, the piano, of course, but I think the piano should be taught in school just like mathematics, just like reading, writing and arithmetic. I'd say reading, writing, arithmetic and rhythm. But that should be a prerequisite, because then the quality of music in the world at least in the United States, would be much better, if everyone knew something about the piano and about music, they would know this is not good. Right now, there is so much music out that's not good, but no one knows the public doesn't know.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: