I'm crazy about James Brown. I'm crazy about soul music. And then the blues. Rhythm and blues.
Having a diverse sense of taste - or lack of taste - I loved so many different things. I was drawn to the stupidity and excitement of glam, I had a thorough upbringing in rhythm and blues.
There would be no rock and roll or rhythm and blues without Leo Fenders' contribution ... the tone is everything
It was so easy living day by day Out of touch with the rhythm and blues But now I need a little give and take The New York Times, The Daily News.
I would think, to me, growing up in the south, growing up with all the gospel music, singing in the church and having that rhythm and blues - the blues background was my big inspiration.
I came from a family where my people didn't like rhythm and blues. Bing Crosby - "Pennies from Heaven" - Ella Fitzgerald, was all I heard.
The Righteous Brothers were purely rhythm and blues, black music.
My brother Alex fell in love with rhythm and blues early and gave me a strong dose of it.
I know whites buy more records than blacks. So, I wanted to be able to make the most money that I could. Pop is for both whites and blacks, but if I just stuck to rhythm and blues, it's mostly for blacks. I didn't want to do that. So like I said, I wanted to get the most out of it that I could, so I thought that pop was the way to go.
My voice is my gift. And Pops had me using it in the right way. I had many offers to sing pop, to sing rhythm and blues. Pops said "Mavis, this record company want to give you a million dollars." I said, "No daddy, I want to sing with the family." And I did. I never wanted to branch out by myself. But I've had to now. It's my mission. I've been left here to do it. And I'm grateful.
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