Reporters, even flawed reporters, should not be jailed for protecting even flawed sources.
I had a job on a newspaper in Wisconsin, and I started off as most reporters did back then: writing obits and free ad giveaways.
A dozen war reporters and TV crew, and the King Kong Elvis sang right on cue.
If you write something that gets a bad response, or someone commits candor or is off message, there are often consequences almost immediately when it appears in the paper or a magazine, that somebody gets called into the boss's office. And sometimes it can result in a loss of access for the reporter.
I've been a reporter for 20 years, and I don't ever get things wrong. That's important in terms of my professional status.
By virtue of some of the ways the game is played, in terms of message discipline, in terms of access for reporters, and especially in the way that sources and subjects, especially famous subjects, treat the media, almost by default there's more news that's falling into books.
I do not think he [Reagan] put names and faces together but for a small group of people. There were a few, perhaps half a dozen reporters, that Reagan recognized, including my colleague Lou Cannon, and some from television and the wire services. The rest of us were faces.
An artist is a prophet and seer, not a paint craftsman or design maker, or reporter or entertainer... the artist has the superiorly searching perception with which that world outside of man's contamination can be penetrated and the truth drawn out from it.
As someone who has spent a lot of her career as an investigative reporter, I'll confess that a frustration of mine has always been that so much investigative journalism involves a dissection of events in the past.
If women ran Hollywood, The Hollywood Reporter would have a "Men in Entertainment" issue every year, and those jerks would have to write something.
I have never pretended to be a great writer. I am totally immodest about being a great reporter and a good news writer. I write fast and I write accurately, nearly as accurately as anybody can be, and that's my skill.
Reporters ... most were carrion who fed on human tragedy.
I think what drove me away from being a reporter was an inability to accept that the world came in neat stories. Every story you have to report is just part of something bigger. The news isn't what happened last night - it's some cumulative thing that's happened over centuries. I found it hard to think of one event and drag it out of a bubbling pot and present it as the story that explains it all.
One of the important things about being a small-town reporter is knowing what not to put in the paper.
One of the reasons that I'm a lurker on Twitter is that every time I tweet an idea, I feel like I'm delivering something to the competition that I ought to be giving to a reporter here.
I don't like the definition 'war correspondent'. It is history, not journalism, that has condemned the Middle East to war. I think 'war correspondent' smells a bit, reeks of false romanticism: it has too much of the whiff of Victorian reporters who would view battles from hilltops in the company of ladies, immune to suffering, only occasionally glancing towards the distant pop-pop of cannon fire.
As a reporter, you develop an ear for dialogue because it's your job to capture it accurately.
I almost became a political journalist, having worked as a reporter at the time of Watergate. The proximity to those events motivated me, when I wound up doing philosophy, to try to use it to move the public debate.
W. B. Yeats has created, if not a new world, a new star. He is not a reporter of life as it is, to the extent that Shakespeare or Browning is. One is not quite certain that his kingdom is of the green earth. He is like a man who has seen the earth not directly but in a crystal.
Just make it (his obituary): born in Russia, first lesson at 3, debut at 7, debut in America in 1917.
It was long ago in my life as a simple reporter that I decided that facts must never get in the way of truth.
I had a great editor, Rebecca Corbett, from the time I was a city reporter right through to the years I worked on the 'Sun's' enterprise reporting team.
L.A. is so much about ratings and box office; that defines everything. And here, of course it's important, but it's not part of the culture - there's too much else going on in New York. They're not going to let one industry monopolize your attention, you know? You're likely to have best friends who are architects or newspaper reporters.
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
As a reporter you tend to seek coherence from your subject or your source - it all needs to add up and make sense. In truth, in reality, there's often a great deal of murkiness and muddiness, confusion and contradiction.
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