Wars always bring about a conservative reaction. They overwhelm and destroy patient and careful efforts to improve the condition of man.
Comedy is very interesting because you can very quickly cross into dangerous territory. I mean look at what happened, unfortunately, (in) Paris a couple of weeks ago. They were making comics - which were really satire - but it offended people. I'm not saying the reaction was justified but there's definitely a line when you're doing comedy or satire and how it might affect somebody. That's the thing you have to watch and I think you have to be respectful of it.
I really gravitate to the comedy of tonal contrasts. I hope that doesn't sound insufferably pretentious. What I mean is people having reactions to things that seem inappropriate, or being happy in an apparently unhappy situation.
The automatic reaction of practically any young person is, at once, against authority. That, I think, began in the First World War because of the trenches, and the incompetence of the people on all fronts.
No outward thing - nothing, nobody from without - can hurt me inside, psychologically. I recognized that I could only be hurt psychologically by my own wrong actions, which I have control over; by my own wrong reactions (they are tricky, but I have control over them too); or by my own inaction in some situations, like the present world situation, that need action from me. When I recognized all this how free I felt! And I just stopped hurting myself.
Choosing an agent is like picking a college. They give you a pitch, you hear what they've got to say, you hear what they're going to do for you. Ultimately it's a good gut reaction.
Playing third base, you rarely have time to get into a great fielding position. It's all about reaction.
I love a hard-hit ball, a diving-play situation where you realize afterward there was no thinking involved. It was 100 percent reaction.
I love taking hits away from guys and seeing their reaction.
Power is poison. Its effect on Presidents had always been tragic, chiefly as an almost insane excitement at first, and a worse reaction afterwards.
Nature, as man has always known it, he knows no more. Since he has learned to esteem signs above symbols, to suppress his emotional reactions in favor of practical ones and make use of nature instead of holding so much of it sacred, he has altered the face, if not the heart, of reality.
We begin to change the dynamic of our relationships as we are able to share our reactions to others without holding them responsible for causing our feelings, and without blaming ourselves for the reactions that other people have in response to our choices & actions. We are responsible for our own behavior and we are not responsible for other people's reactions; nor are they responsible for ours.
People who pay the price for security may never really feel secure rather the more their insecurity grows inside them because they are paying the price for action but not their internal reaction
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
To create one must be able to respond. Creativity is the ability to respond to all that goes on around us, to choose from the hundreds of possibilities of though, feeling, action, and reaction and to put these together in a unique response, expression or message that carries moment, passion and meaning. In this sense, loss of our creative milieu means finding ourselves limited to only one choice, divested of, suppressing, or cendoring feelings and thoughts, not acting, not saying, doing, or being.
Science probes; it does not prove. Imagine Newton's reaction to an objector of his law of gravity who argued that he could not establish a universal law because he had not observed every falling apple, much less proved the law of gravity - there might, after all, be an apple that levitates! Why should a group of simple, stable compounds of carbon, hydrogen, oxygen and nitrogen struggle for billions of years to organize themselves into a professor of chemistry?
Far from being the product of a democratic revolution and of an opposition to English institutions, the constitution of the United States was the result of a powerful reaction against democracy, and in favor of the traditions of the mother country.
There is an interaction and action, reaction between two people. One should show honesty in a relationship. Be honest to your partner and tell him everything. How long can you do things with dishonesty and that's wrong. Don't get into a relationship if you can't be honest.
If you ever get really dressed up for a party, you get a feeling from the reactions of people that you don't need to be that loud. It's the same when you act. You have to always consider what's around you and the texture of things and try to meld in with what's going on.
People don't stop me on the street and throw things at me. But I'm aware of what that dynamic is, so whenever people react strongly to a character and say that they hate me, I take it as a job well done. And for most people, there's a sense of removal. Most people are not saying, "Oh, my god, I hate you!" Most people that have reactions say, "I love to hate your character."
When I'm on stage, and when I'm comfortable or uncomfortable, I have sort of a knee-jerk reaction to try to make people laugh. It's my version of a handshake to show that I want to make a connection and to show what I'm truly like. It's kind of my statement like, "This is what I'm really like. I'd like you to love me."
Nature has a way of deadening us to traumatic events, until we're ready to deal with it. And once you do, it's a volcanic reaction.
That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."
I make music to process - because I have to, not for praise or accolades or reactions.
It was just hilarious how my first reaction was, "Oh, no, it's another vampire show. I'm not interested." And then, I read the script and thought it was brilliant.
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