I'm very lucky to be able to work in print and radio. I'm very lucky to be able to work at a time when finance and economics are really important. And the number of people who tell finance and economic stories in a kind of accessible storytelling way, there's much more demand than there is supply.
When I started in radio, I worked for free. I lived at the radio station. Then I worked for very little money.
I'd always loved radio. I loved Bob And Ray. I loved Stan Freberg.
You can get an awful lot of effects into the customer's mind for a great deal less time and money in radio than you can in television.
When I was growing up, Nashville was the place to go if you had songs to sell and thought you had talent and wanted to tour and be on Grand Ole Opry [radio show]. It was the big deal back in those days to play the Grand Ole Opry. And you could travel around the world saying, "Hi, I'm Willie from the Grand Ole Opry".
I'm probably the only person who actually remembers pirate radio.
We now assume that when people turn on the evening news, they basically already know what the news is. They've heard it on the radio. They've seen it on the Internet. They've seen it on one of the cable companies. So that makes our job a bit different.
The more melodies and chord changes, the less good it is for the clubs, but the better it is for radio, because it makes it really emotional.
I want to be a race car passenger: just a guy who bugs the driver. Say man, can I turn on the radio? You should slow down. Why do we gotta keep going in circles? Can I put my feet out the window? Man, you really like Tide.
The outstanding scientific discovery of the twentieth century is not television, or radio, but rather the complexity of the land organism.
Between 9 and 10 AM the American radio is concerned almost exclusively with love. It seems a little like ending breakfast with a stiff bourbon.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
There are flaws in the way politics is reported in this country today and we should do something about it, .. Radio and television coverage of politics doesn't see its role as a mission to explain, but to destroy, in a pernicious culture in which journalists pit themselves against politicians.
We are extremely proud to represent all of Radio One's stations within the Katz Radio Group. For the past five years we have worked diligently alongside Radio One to build their business in the markets we have historically represented including Houston, Los Angeles, Philadelphia , Raleigh and Columbus. At a time of significant growth in the African American consumer market the addition of the remaining Radio One stations expands our ability to deliver strategic marketing solutions to our agency and advertiser customers.
I think that you will see different types of content emerging, just the same as new media generates new content in the physical world. TV created new content, but it didn't mean that radio disappeared.
Don't ever call me a bottler on the radio with thousands of people listening
I'm extremely surprised to learn that a story, which has become familiar to children through the medium of comic strips and many succeeding novels and adventure stories, should have had such an immediate and profound effect upon radio listeners.
If you have a radio, the next three months is a good time to have it quit working. All you will hear from now until the 4th of November will be: 'We must get our government out of the hands of predatory wealth.' 'The good people of this great country are burdened to death with taxes. Now what I intend to do is ...' What he intends to do is try and get elected. That's all any of them intend to do. Another one that will hum over the old static every night will be: 'This country has reached a crisis in its national existence.'
And that is what radio-activity is, a quick return to the state of rest which underlies the spiritual or invisible universe.
Power is the band that we perceive things on. In radio we have stations. Frequencies vibrate at certain rates and within those frequencies we transmit information and receive information.
I did some professional radio acting as a teenager, and I essentially put myself through college with radio acting in Montreal. When I graduated, I got jobs in professional theatres, repertory, and stock theatres in Canada for a couple of years. And then I went to Stratford, Ontario, where I spent three years with a Shakespeare company. We took a classical play from Stratford to New York City, and I got some good notices there and essentially stayed and did live television. And that brings you to the beginning of filming.
For many people, Mrs. Brown has come from the middle of nowhere. But Mrs. Brown was first written for radio. I wrote it for a radio series in 1992. It was a five-minute piece for radio, and it's been absolutely astonishing.
I miss him already. He was a unique person and a dear friend. If a record came on the radio, you'd know it was Waylon Jennings.
I began visiting Lima's prisons back in 2007, when my first novel, 'Lost City Radio,' was published in Peru.
I like radio because you can do an hour-long interview and then three days later have a finished piece.
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