I think radio plays are my favourite medium, as they make the listener work and create and contribute in a way that TV and film can never do, and they have an immediacy that written prose often lacks.
If it weren't for Philo T. Farnsworth, inventor of television, we'd still be eating frozen radio dinners.
I enjoy writing plays most. I haven't written a radio play in a while and I don't write short stories anymore because the process of submitting them depressed me. I really enjoy revising novels, but drafting them can be a pain.
I'd love to do radio plays. I think that one should be open to everything and shouldn't limit oneself.
A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.
If I am a prolific writer and turn my hand, with what seems to some as indecent haste, from novels to screenplays to stage and radio plays, it is because there is so much to be said, so few of us to say it, and time runs out.
There may be a parallel between woodcuts and radio; radio plays are a living art form everywhere except the USA.
Nirvana was pop. You can have distorted guitars and people say it's alternative, but you can't break out of pop music's constructs and still get extensive radio play and media coverage.
Money is a tool – it’s the means, not the end. Inspiration is the metric that dictates whether or not a project is a success. It’s more realistic than trying to aim for radio play, or trying to satisfy an AR, or the other gatekeepers on these platforms. I don’t even know how to create with those things in mind. But if you tell me the goal is to inspire? That makes my job a lot easier.
Oh, nobody would ever want to know me in Hollywood. I'm far too puffin-faced for that, too weird-looking. No, I think I'll probably stick to telly, if telly'll have me, though I wouldn't mind doing radio plays as well.
It meant a kind of real liberation of expression. It embraced amateurism in a way that I still am inspired by. It was not about trying to get, you know, stadium gigs or even commercial radio play or even record deals for that matter. It was about saying something 'cause you meant it, and expressing something that you felt. And that was primary for that - whatever the scene, whatever punk rock means, it was very, very important to me, very formative.
There's a little bit more of a freedom when you're doing radio play-by-play as opposed to television. I prefer the television side of it.
They were worried we wouldn't get any radio play at all[ for "A Deal with God" ]. That's why it was changed [to "Running Up That Hill"].
Sometimes the roles you're being offered, leads in films aren't good enough. Actually it's you're better going and doing a radio play or a decent TV.
I'm not saying that what the radio plays isn't good. My issue is with what they don't play. You can play Jay-Z, but why don't you play Jurassic 5? You can play Nas and Nelly, but why don't you play J-Live? I want to open up the door to how it was back in the day.
I think the subject which will be of most importance politically is mass psychology.... Its importance has been enormously increased by the growth of modern methods of propaganda. Of these the most influential is what is called 'education.' Religion plays a part, though a diminishing one; the press, the cinema, and the radio play an increasing part.... It may be hoped that in time anybody will be able to persuade anybody of anything if he can catch the patient young and is provided by the State with money and equipment.
Our radio plays rhythm and blues as we pass the joint back and forth in jutjawed silence both looking ahead with big private thoughts now so vast we can't communicate them anymore and if we tried it would take a million years and a billion books - Too late, too late, the history of everything we've seen together and separately has become a library in itself - The shelves pile higher - They're full of misty documents or documents of the Mist-.
I don't like what the radio plays for the most part.
In Europe, radio stations are owned by a variety of different entities, so there is less uniformity on radio programming and more opportunity for artists to get radio play and break overseas.
Touring definitely helps sell albums. Things have changed. I've noticed now more than ever when you market an album, get radio play/video play etc. it helps sell albums but it helps get more shows.
When we started out we got a lot of positive press around the single 'Step Into My World', and a lot of Radio play. The single did really well, so we were in the spotlight straight away. I obviously had my history with Ride, but I didn't want to talk about that, so all the interviews centred around how I'd had these auditions and found the band members that way. I think people felt like that was not 'for real' enough or something.
I have a lot of compact discs. I need them for radio play and convenience. Many bands and artists I am a fan of don't always release their work on vinyl, so I take what they feel like giving me.
Glenn and I were listening to a radio show in the car, and he said, "Glass Eye Pix should do radio plays." I loved the idea of working in a different medium. We've made comics, books, movies, video games, models, advent calendars, why wouldn't we try audio plays?
When 'Play' first came out, journalists didn't review it; it didn't get radio play. And then it became this big successful record and, I hate to admit this, I found myself liking the fame. I bought into it.
Young love don't know nothin' when the radio plays you sing along. When she's holding on you just can't get close enough, you swear it's sent from above. It's real,it's good, and it's young love
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